The projects featured in this review were selected from the Central and Eastern Italian Alps. Starting with the redevelopment of a rural building in the Aurina Valley, moving on to a trade fair complex in the Belluno area characterized by a significant wooden reticular structure, then the “House of the Mountains” in South Tyrol, and finally a barn designed in the province of Sondrio. The exceptional construction quality of these projects, which are very diverse from one another, indicates a profound knowledge of the material and its design potential.
Architettura rurale in legno: i tabià della Valle del Biois nelle Dolomiti Venete
This essay examines the evolution of rural wooden architecture in the Dolomite valleys, with a focus on the Valle del Biois in Veneto. The historical and cultural significance of these constructions is explored, tracing the increasing interest in these structures during the early 20th century to contemporary preservation and promotion efforts. The transformation of construction techniques and living habits due to emigration and industrial growth is analysed, with special attention to the variety of materials and architectural styles used. Understanding the constructive aspects of these buildings allows for a philologically coherent recovery and the development of practical instructions for their maintenance. The value of these artefacts must be promoted and conserved in a way that is consistent with the new economies and ways of life of Alpine regions. Despite the absence of any officially recognised institutional management, the importance of rural heritage is underlined and recognised through the creation of strategic programs for its valorisation. The author emphasises the urgency of a coordinated approach to the conservation of rural Alpine heritage, highlighting the importance of cooperation among regions and across disciplines.
L’importanza dei masi come luoghi del paesaggio culturale ladino della Val Gardena
Rural architecture, as an integral part of any cultural landscape, reflects the connection between humans and their habitat. The “masi” (farmsteads) of Val Gardena embody this harmony with nature through the use of wood and stone, blending functionality with the surrounding environmental context. These buildings not only symbiotically relate to the terrain, but they also respond to agricultural needs and natural conditions. The construction of “masi” adheres to philosophical principles of order, expressing the “genius loci” of the location. In Val Gardena, two predominant typologies emerge: the “Einhof” and the “Paarhof”, both characterised by the skilful use of natural materials and integration into the landscape. The evolution of “masi” over time reveals functional and organic transformations, showcasing craftsmanship and adaptability to the environment. Wood, a durable and versatile material, is used to form the structural foundation, reflecting a pragmatic approach to design. The interior spaces, such as the kitchen and “stube” (traditional living room), are configured according to functional needs while still maintaining the essence of traditional dwellings. These buildings exhibit an architectural identity oriented towards modernity, offering insights for contemporary architectural language. This essay, accompanied by selected photographs, delves into the peculiarities of Val Gardena’s “masi”, providing a comprehensive analysis of buildings through construction principles, relationships with the landscape, typologies, spatial characteristics, and potential new uses.
Was kennzeichnet einen Holzbau?
The new online encyclopaedia www.holzbaukultur.ch from the Bern University of Applied Sciences presents Swiss timber buildings across six centuries and shows lineages of development. The wide range of examples initiates a debate about the characteristics of timber buildings. Switzerland is generally associated with craftsmanship and traditional timber buildings in the Alpine region. The attempt to develop timber architecture in the spirit of modernism in the 20th century was not very successful. The proportion of timber in total building volume decreased significantly. In recent decades, Swiss timber construction, which is now highly technologised, has repositioned itself, and architecture and structural planning have come closer together and realised remarkable, pioneering projects. Timber construction is now the subject of urban spaces and must find new forms accordingly. The approaches to these new forms have so far been very different. Answering the question “What characterises timber construction?” therefore appears to be a key to the visibility and success of a forward-looking Swiss timber construction culture.
Mito, tipo e destino della casa mista nelle Alpi centrali
Tacitus’ La Germania is a crucial foundation for any literary analysis of the origins of the domestic constructions in the Alps, where two cultures converge: that of the German log builders and the Latin stone masons. These narrative gains strength from the observation that two distinct settlement typologies are linked to these construction traditions: the former do not live in villages but occupy the territory in a scattered manner with rough constructions, while the latter form urban centres built more civilly with worked stones and bricks. The Alps represent a geographical border, an indefinite, permeable, and absorbent watershed that has facilitated a continuous exchange between these cultures since ancient times. The coexistence of stone and wood is, in fact, the defining characteristic of the Alpine house, particularly in the central Alps. The relationship between the wooden and stone parts of the se buildings assumes the value of a collective ritual. This ritual, celebrated in architecture, expresses the social life, economy, and nature of its territory. The “mixed type” house remained a subject of incessant exploration throughout the twentieth century and the focal point of a heated and fruitful cultural debate, just as the Mediterranean house represented the model of eternal modernity for the rationalist architects of the twentieth century. The essay explores the potential of the Alpine “mixed” house as representative of a model of enduring environmental sustainability.
Evolving Perspectives: the resurgence of wood in Quebec architecture
Over the past two decades, Quebec has undergone a radical transformation in its approach to using wood in architecture, spurred by trade constraints on wood exports to the United States. This evolution is the outcome of synergistic efforts that have facilitated a transition resulting in significant technological and architectural advancements. Historically, Quebec’s vast forest resources have played a pivotal role in the development of local timber construction, particularly through traditional timber frame techniques. However, the 19th century witnessed a shift towards light-frame construction methods like the Balloon Frame, driven by industrialisation and urbanisation. By the mid-20th century, concrete gained dominance, the fruit of prioritising aesthetics over ideology in architectural design, especially in Montreal, where concrete structures flourished. The 1980s trade dispute with the United States marked a turning point, fostering innovation and a paradigm shift in wood use. Collaboration between industry and academia, exemplified by the Krüger Pavilion and the founding of FP Innovations, has propelled large-scale wood construction forward. Cecobois further supports this trend by facilitating access to technological innovations. This era of change highlights both the potential and limitations of wood in architecture, showcasing its role as a versatile and eco-friendly material that can enhance architectural design while facing technical challenges that sometimes limit its visibility and application.
Technology and architectural expression in France and Slovenia
The selected projects in French and Slovenian territory represent the high degree of experimentation that manifests in these regions in the field of wooden construction. Starting with a redevelopment operation of a public space in Isère, the review moves on to two school buildings that are very different in terms of composition and scale of intervention; additionally, an interesting office building was selected, followed by a residence that explicitly expresses the design and construction potential of cross-laminated timber. The review concludes with a school building in Slovenian territory that features an interesting wooden structure, which determines one of the compositional principles of the entire project.
Education, innovation and research in wooden architecture and construction in the Alps
The essay explores the importance of teaching and research in the building cultures of specific territories, with a particular focus on the use of wood in construction. Through interviews with experts from research centres and universities, such as Andreja Kutnar from InnoRenew CoE in Slovenia, Frédéric Pichelin from the Bern University of Applied Sciences in Switzerland, and Florian Court from the Haute École du Bois et de la Forêt association in France, the essay highlights how such institutions are promoting innovation and sustainable development in the wooden construction sector. Kutnar emphasises the importance of interdisciplinary and holistic research to develop renewable materials and improve the quality of the built environment. Pichelin discusses how innovation can emerge from the integration of new technologies and biobased materials, while Court addresses the challenge of industrialising wood production processes while preserving unique local characteristics.
The essay also examines future challenges for wooden architecture in the Alps, such as climate change and the need for sustainable resources, highlighting projects like VETA/NOVA developed by the Bern University of Applied Sciences, which aims to develop guidelines for the restoration of historic wooden buildings. Finally, it discusses the possibility of translating global prerogatives into a local context, influencing the contemporary architectural identity of the Alps and its multidimensional impact on the territory.
Valorisation and regeneration in the western Italian Alps
This review of projects, selected from the provinces of Turin and Cuneo, represents some interesting examples of wooden buildings that often interact with pre-existing structures. In this sense, the use of wooden construction systems demonstrates the remarkable flexibility of this material in relating to existing buildings. Different approaches emerge: in the case of the former Casermette of Moncenisio, there are new buildings inserted within the pre-existing structure, while in the subsequent examples, the new intervention operates through an adjacency to the existing buildings. These projects are part of operations aimed at enhancing local wood, virtuously integrating into regenerative processes of the territory.
Edifici in legno e digitalizzazione. Un dialogo costruttivo
The architect Davide Maria Giachino, head of STUDIO ELEMENT, and engineer Franco Piva, head of Ergodomus, work in low environmental impact architecture and structural wood engineering respectively, exporting their projects to various parts of the world. A recent joint experience at a construction site involving the renovation of structures built with engineered wood led the two professionals to discuss how approaches to design have changed today due to digitalization. The global network that connects the planet allows them to work from a country at the foot of the Alps, where Pergine Valsugana, the headquarters of Ergodomus, is located, and operate around the world, with time zones being the only remaining obstacle. This creates a dichotomy between ultra-specialised micro-studios located in sensitive contexts like Alpine valleys that are locally competitive, engaging with short supply chains in a regional context, and medium to large firms that operate on a global scale. Additionally, new realities emerge from specialised studios aimed at rendering design and construction processes entirely digital and oriented towards off-site, delocalised architecture. However, there are still various obstacles to overcome before this local-to-global approach can be considered mature because, paradoxically, the less technologically advanced approach currently sets the pace, forcing others to slow down and adapt.
Experiences in Vorarlberg
This review of selected projects within the Vorarlberg region aims to highlight several architectures, focusing particularly on their construction quality, a distinctive element of the regional architectural production. The projects are grouped by functional theme: starting with an industrial building, specifically a carpentry, moving on to public and private buildings characterized by hybrid spaces capable of hosting a mixed functional program; additionally, there are some school buildings, an office building, and, finally, some residential buildings. The selected projects share the common feature of having a wooden supporting structure, with different construction systems, from frame structures to cross-laminated ones sometimes associated with other technologies such as reinforced concrete.
Wood Architecture Prize: gli approcci progettuali e i modelli di sviluppo territoriale analizzati attraverso i premi sulle costruzioni in legno
The increasing international proliferation of wooden constructions is a recent phenomenon that originated and was nurtured in Alpine regions, thanks to a gradual process of technological innovation developed over the last two decades through experimental architecture using new, engineered components. The result of this upsurge has been an unprecedented positive development trajectory for this sector in constant growth thanks to strategies of decarbonisation and the spread of bio-based construction materials as key drivers for Net Zero Carbon Buildings (NZCB), Climate-Neutral Buildings.
Today this change in the “status” of wooden constructions is most clearly represented outside of Alpine regions, in urban landscapes where wooden superstructures, like multifunctional walls for energy retrofitting, new schools, university residential halls, hotels, and commercial buildings abound.
In recent years, this evolution has been accompanied by a debate on the available approaches and models, which are reflected in the numerous European competitions and awards dedicated to wooden architecture, with the aim of promoting an understanding of the strategies and practices implemented in public and private projects. The Wood Architecture Prize, the first Italian award in the industry, promoted by Fiera Bolzano, Politecnico di Torino and IUAV Venezia, is a prime example of this advance. Around 150 architectural projects were submitted for consideration, prevalently by the new generation of professionals who are increasingly aware of the environmental and local sensibilities of architectural methods.
Architecture and local resources: project experiences in Vorarlberg
The Land of Vorarlberg is Austria’s second smallest but most densely populated province after Vienna. Known for its innovative timber architecture, Vorarlberg’s approach integrates ecological, economic, functional, and aesthetic considerations, as championed by Wolfgang Ritsch of the Vorarlberger Architektur Institut (VAI). The region’s timber industry has faced challenges, including local provincialism and modernist material preferences, but gained prominence in the 1990s with the establishment of the Baukünstler group and the Vorarlberger Bauschule, recognised for their contributions to timber construction.
Key to this development is Vorarlberg’s significant woodland, covering one-third of its area, and its commitment to sustainable forest management. Regional timber architecture aligns with the principles of appropriate technology, emphasizing eco-responsible, community-driven innovations. Vorarlberg’s timber architecture exemplifies a collaborative effort between designers and craftsmen, focusing on the use of local resources and high construction quality. The essay represents the introduction of notable projects including multifunctional public buildings, schools, offices, and residential complexes, reflecting the region’s commitment to sustainable development and architectural excellence. This ongoing innovation in wood-integrated solutions reinforces Vorarlberg as a hub for eco-friendly and culturally resonant architectural practices.
Vergangenheit und Zukunft des Holzbau. Interview mit Hermann Kaufmann
Starting with theoretical reflections, the issue delves into design experiences across the past, present, and future, illustrating the significant role of timber technology in the Alpine region. In an interview with Hermann Kaufmann, a leading figure in timber construction both locally in Vorarlberg and internationally, we gain insights into the future of timber construction technology from a historical and biographical standpoint. Kaufmann, with his extensive background in the timber construction industry, having been actively involved in workshops and worksites since childhood due to his family’s background in carpentry, provides a valuable perspective on exploring the potential and challenges of timber construction technology. One crucial consideration is the urgent need to decarbonise the built environment in response to the ongoing climate and environmental crisis. Drawing from Kaufmann’s expertise, the discussion also addresses the interplay between timber as a natural material and the increasingly stringent regulations shaping the field of architecture.
Wood communities
Produrre legname per l’edilizia aiutando la natura di montagna e l’economia nazionale
The use of timber in the construction sector plays two fundamental roles, both “downstream” and “upstream” of industrial wood processing. Downstream, the construction sector is responsible for 37% of global emissions, and the expansion of timber construction is rightly considered strategic as part of a decarbonization process, where the need to replace high-emission materials represents a competitive advantage for biomass products. It also enhances the quality of living spaces, as highlighted in the New European Bauhaus initiative. Upstream, the construction sector is privileged and therefore essential for providing an outlet for “Closer-to-Nature” forest management: without a market for high-quality timber from sustainably managed forests, the incentives for long-rotation seminatural forest management diminish. This second motivation is well recognised in the public procurement policies of many advanced countries and in those that promote the construction sector. These two roles are of fundamental importance but often neglected in Italian policies aimed at adding value to mountain forests.
I boschi in Italia e le politiche forestali nazionali
In Italy, forests cover 12 million hectares, equivalent to 40% of the national territory, with a significant increase compared to previous decades. Italian forests are mainly located in hilly and mountainous areas, characterised by considerable fragmentation. The MASAF (Ministry of Agriculture, Food Sovreignty and Forests) has divided Italian wooded areas into 19 ecoregions to facilitate reforestation with native species. The composition of Italian forests is highly diversified, with 117 tree species. However, these ecosystems are threatened by fires, pathogens, and climate change.
Italian forest policies, historically conservationist, aim to protect and sustainably manage the country’s forests. The Serpieri Law of 1923 and other regulations ensure the protection of forests, which are among the most protected in Europe. However, the Italian wood industry largely depends on foreign imports due to fragmented ownership and strict regulations. The essay, starting with a description of Italian forests, provides a comprehensive overview of national forest policies up to the publication of the National Forestry Strategy in 2022, which outlines a long-term vision for the sustainable development of the sector and the enhancement of ecosystem services. It involves various stakeholders, from institutions to citizens, and promotes professional training and the responsible use of forest resources, integrating energy policies and a circular bioeconomy.
Risorsa e costruzione. Architetture in legno nelle Alpi
Wood was widely used in traditional architecture in the Alps due to its availability and workability, which allowed it to meet the residential and construction needs of the agro-silvopastoral activities of the rural Alpine world. These simple yet sophisticated log constructions, alongside some stone structures, built the vernacular Alpine landscape. It is precisely this representation of rural construction that was decisive in shaping the images and imaginaries of the Alps throughout the 19th century. Noteworthy are the Swiss-German treatises on the subject, starting from the works of Jakob Hochstetter and Ernst Gladbach and culminating in Jakob Hunziker’s great eight-volume work dedicated to Das Schweizerhaus.
The Alpine environment can be understood as a place where environmental, economic, and sociocultural issues intertwine, which, combined with construction and building site requirements, led to the flourishing of project experimentation throughout the 20th century. This experimentation was mainly aimed at reinventing the Holzbau construction technique, oriented towards technological innovation and resolving the issue of prefabrication. Swiss-German research of the 1930s is emblematic of this experimentation, from Konrad Wachsmann to Paul Artaria and once again Clemens Holzmeister, which opened critical reflections on wood construction that still resonate in contemporary architectural production.
Wood construction is currently experiencing a significant paradigm shift. The beginning of the 21st century has seen an increase in technological innovation, the development of material research, and the optimisation of processes, accompanied by a growing awareness of the impact of the construction sector. However, contemporary wood construction are simultaneously experiencing a long process of affirmation that often clashes, on the one hand, with scepticism towards the material and, on the other, a stereotypical and sometimes romantic image of wood construction that alludes to the vernacular.
Discussing wood as a construction material is at the very least necessary today, as it is a plentiful, renewable resource in the Alpine and pre-Alpine areas, and, as Mario Cereghini reminds us, it is also a strategic and compelling resource in terms of its economic impact and ecological benefits, two factors that should be at the centre of the construction of a contemporary architectural identity.
This issue of Archalp, focused on the topics briefly outlined above, attempts to provide an overview of wood architectural production in the Alpine territory by examining the entire production chain. From forest policies that place forest resources at the centre of regional and national economies, mainly referring to Italy, to a review of architectures built along the Alpine arc, alternating with in-depth looks at specific themes–from cultural issues affecting wood construction in recent years, discussed in an interview with Hermann Kaufmann, to wood construction awards, the digitalisation of processes, and the themes of training and research. The issue closes with a section dedicated to technique, offering thorough analyses of historical Alpine architecture, from the central Alps to the Dolomitic landscapes, and questioning what architectural and figurative elements characterise wood constructions by observing the opportunities they present.
Visages de la contemplation
Visages del la contemplation (1980) is the title of a photography book with images by Michele Pellegrino, a preface by Roger Etchegaray, Archbishop of Marseille at the time of publication, and Cardinal Presbyter of St. Leo I, former president of the Council of Conferences of Bishops of Europe and of the Episcopal Conference of France, with the full text and historical notes by Jean Pier Ravotti. The work, now quite rare and preserved in the Vatican Apostolic Library, unparalleled in its reflection, remains a powerful fresco of monasteries and contemplative life, the identities and differences of charisms, and the vows of poverty, chastity and obedience of the different orders and monasteries: the Benedictines, the Camaldolese, the Cistercians, the Canons Regular, the Trappists, the Carthusians, the Poor Clares, the Dominican and Carmelite nuns, the Passionists and the Little Sisters of Bethlehem, and the Little Brothers. A sister dimension to that of the cloistered emerges in the book, a dimension that could be considered the most neglected by historians, especially in the oblivion of sapiential traditions: cloistered monasteries as citadels of culture and art, custodians of priceless heritages, and at the same time extraordinary centres of production that admirably shape territories and landscapes. This world of partially lost sapiential traditions, of care, intelligence, love of nature, harmony, sustainability, invites us to think about the issue of sustainability in the mountains.
Leggere il tempo. Conversazione sull’architettura sensibile di Armando Ruinelli
Armando Ruinelli’s forty-year architectural experience, as documented in the recent publication Leggere il tempo, is characterised by its sensitivity and attention to context. Devoid of excess and extravagance, his work establishes a polite dialogue with its surroundings, reflecting the discreet personality of the author. At the core of Ruinelli’s practice lies a profound ethical consideration, extending beyond the design phase to encompass the entire spectrum of operational intricacies. His perspective on time translates into an acceptance of material aging, emphasising the importance of allowing buildings to follow their natural course. Rooted in context, his architecture seeks not only continuity but harmonious integration within the Alpine landscapes they inhabit. In dialogue with the interviewer, Ruinelli emphasises his preference for artisanal work, highlighting the significance of precision in execution and the centrality of humans over materials. His poetic exploration is manifested in creating atmospheres and carefully balancing the dynamic components of a project. Reflecting on the role of the architect, he envisions them as craftsmen endowed with both technical acumen and creative vision. Finally, Ruinelli shares a meaningful project – the fountains in the Soglio cemetery – a creation laden with delicacy and symbolism that underscores the spiritual depth of his work.
Alpine iconodulia
At the end of the Eighties the global recognition of Alpine architecture coincided with a profound shift in architectural media, particularly journalism. Photographic images played an increasing role in the reproduction of architecture in journals. In this overview, the important position of some sacred works is discussed, as they competed for the covers of renowned magazines, ultimately becoming icons of the new Alpine architecture. The article analyses the reasons behind this success by studying three emblematic cases in the Central Alps: the Chapels Sogn Benedetg by Peter Zumthor, St. Nepomuk by Christian Kerez in the Graubünden, and the Salgenreute Chapel by Bernardo Bader in Vorarlberg.
Renaissance der Kapelle: neue Bauformen eines alten Bautyps im alpinen Raum
This article reflects on the revival of the architectural class of the chapel, highlighting its growing popularity not only in urban areas but also in mountain contexts. Using the Theodul-Kapelle on Alpe Niedere designed by Cukrowicz Nachbaur Architekten as an example, the uniqueness of this type of building and its impact on contemporary society is emphasised in the discussion. Delving into the architectural reinterpretation and the significance of private financing for such endeavours, this article ponders the contemporary yearning for sacred and reflective spaces, transcending religious boundaries. The debate on Christian-Catholic sacred architecture and the role of chapels as interfaith places of devotion is also explored. Through further examples like Bernardo Bader’s Salgenreuthe Chapel, which retains traditional elements in an abstract context, architectural inclinations and inventive approaches in chapel construction are analysed. In conclusion, the article suggests that chapels embody the contemporary search for spirituality, offering emotional and sensory experiences through their concentrated and reduced architecture, acting as places of (self) exploration in an ever-evolving world.
Vom Heiligen Land Tirol. Sakrales Bauen und die Berge
The extreme mountain landscape and its potential dangers were one of the reasons for the high number of sacred buildings in the Alpine region. Tyroleans have long called their region the Holy land of Tyrol, due to the many churches, chapels, monasteries, wayside shrines and crucifixes in the region, among other reasons. How was the unique religiosity of Alpine inhabitants expressed in their buildings? Is it expressed differently than in the famous church buildings of European cities? It seems that the motives for erecting sacred buildings and monuments in mountain regions are to be weighted differently and that, in addition to their primary religious function, these structures fulfilled different tasks for the population at different times. While contemplative spatial concepts were and still are at the forefront of architectural thought, earlier buildings were primarily vessels for relics, images and statues. The motive lay in conjuring up and invoking the help of God and the patron saints. Thus, while historical buildings were seen more as places of practiced rituals – to receive help from the difficulties of everyday life – the individualistic interest in contemplative places has gained momentum in modern times. The sheer number of these different typologies of structures in a wide variety of social locations is unique to Tyrol, making it easy to identify social and societal conditions in different historical periods.
La “Stiva da Morts”. In bilico tra due dimensioni sensoriali
In Vrin there is a building that is not dissimilar frommost of the buildings in the village in terms of its general characteristics, but at the same time it appears as an autonomous element in relation to its context. This building is known as ‘Stiva da Morts’, chamber of the dead, by the villagers, and was designed by architect Gion A. Caminada to host the traditional ritual of visiting the deceaseed in their coffin before burial. This ritual took on collective meanings in addition to the sentimental and individual ones already present. An ambivalence towards the individual seems to be expressed by some formal choices, which made the Stiva da Morts a new landmark in the anthropic fabric.
Due chiese
This article explores the architectural significance of two churches in South Tyrol, focusing on projects by Othmar Barth and Arnold Gapp. The church of Sant’Andrea in Rasun di Sopra, designed by Barth, represents a harmonious synthesis of traditional and modern elements. Its asymmetric facade and independent roof reveal Barth’s approach to modernising ecclesiastical architecture. The church of Santa Caterina in Katharinaberg, designed by Gapp, incorporates an unusual mortuary chapel that is open to the surrounding landscape, suggesting a direct connection between sacred spaces and the natural environment. Both projects reflect on how architecture can engage with tradition and transform the sacred landscape into a more open and inclusive experience.
Un oratorio e una cappella in Ticino
This text presents the oratory of San Bartolomeo (1991-1996), built in Porta (Brissago) following the design by Raffaele Cavadini, and the chapel realised in Val Malvaglia (2017-2019) by Martino Pedrozzi. Since it is not possible here to fill the gap in critical studies on the sacred architecture in Ticino since the second half of the 20th century – except for two well-known works by Mario Botta: the church of San Giovanni Battista in Mogno, Val Lavizzara (1986-1996) and the chapel of Santa Maria degli Angeli on Monte Tamaro (1990-1996) –, we have chosen to focus on these two works because of the consistency of their design strategy and the quality of their results. But if the Brissago oratory was created in the mould of the experiences developed in Ticino since the 1960s (although it in part has an original perspective), the chapel in Val Malvaglia, conceived by an architect from the next generation, introduces a new approach, manifesting the liveliness of the architectural research in contemporary Ticino.
Ein modernes Gotteshaus für Passugg-Araschgen. Der Bündner Architekt Andres Liesch und die Kirche in Passugg
This article examines the evangelical church in Passugg-Araschgen (1971/72), considered one of the main works of the Grisons architect Andres Liesch (1927-1990). As a leading figure in his generation within the canton of Graubünden, Liesch left an indelible mark on the Swiss architectural landscape. His portfolio, boasting over 37 schools, is distinguished by the adept utilisation of concrete and a meticulous spatial arrangement. The Passugg church, influenced by Liesch’s exposure to the expressive architecture of Frank Lloyd Wright, represents an elegant fusion of complex geometries and sculptural spaces respectfully integrated into the surrounding landscape. The structure, characterised by a pavilion roof and the artful incorporation of topography, embodies Liesch’s philosophy that architecture “gains substance through a clear architectural message”. The financial and logistical support of National Councilor Paul Raschein, president of Passugger Heilquellen AG, was crucial in the realisation of the project. The Passugg church stands out as a unique example of sacred architecture designed by Liesch, combining geometric mastery and sculptural vision in a specific context, representing a significant contribution to the architectural modernisation of Graubünden.
Naufrage du mouvement liturgique contre les Alpes bernoises. Regard sur l’architecture sacrée en Valais
In Hegel’s view, questioning the sacred seamlessly intertwines with the very essence of architecture – namely “that which binds together a multitude of souls”. The Church assumes a fundamentally spiritual significance, predominantly and comprehensively conveyed through its architectural space. Meanwhile, its surroundings, the way it is expressed externally, encompasses another layer of meaning that falls outside the realm of the liturgical movement. The exterior is a source of light that structures movement in space, but also the place where another meaning is materialised, more clerical than spiritual, a meaning encapsulated by the political dimension of its form. This dimension is a question of scale, expressed through the monumentality of a singular object, but also through the multiplication of this object across a territory. During the 20th century, just over a hundred churches and one hundred and fifty chapels were built in Valais. These projects fulfilled their political role because they gave the ecclesiastical institution a territorial dimension, but did they respond to the spiritual mission as professed by the community gathered around Romano Guardini in Rothenfels, Germany, during the second quarter of the 20th century? Among countless projects that reverently extol the materials, form, and technical potential of reinforced concrete, some leverage the formal potential of space in connection with a liturgical renewal, aiming to rediscover monastic spirituality against the triumphant Church (Ecclesia triumphans).
«Per gli Alpini non esiste l’impossibile». L’acropoli alpina al Doss Trento: un sogno infranto
This essay describes the project of the Alpine Acropolis, designed by Adalberto Libera and Giovanni Muzio. The construction’s purpose was the commemoration of the history of the Alpini on Doss Trento, and was presented to Benito Mussolini in 1941 by Mario Cereghini, president of the technical commission responsible for the design and direction of the work.
The majestic complex, intended as “an expression of the nation’s gratitude and fascism towards the Alpini, during the regime’s greatest self-celebration”, would have included an extensive museum area alongside a monument to Cesare Battisti, connected to the city of Trento by a surrounding ring road. The construction would have required significant modifications to the landscape, prompting criticism for its rhetorical grandeur in conflict with the pragmatic Alpine mentality, and raising doubts about the need for such a grand museum and monument. Nevertheless, the regime decided to proceed with the project until 1943 when, with the onset of war, construction was halted, leaving only a pile of dusty drawings and a thoughtful reflection on the impacts left on the mountain in an attempt to celebrate those who love and protect it.
Attorno all’altare. La chiesetta alpina di Ettore Sottsass senior sul Monte Bondone
Ettore Sottsass Sr., an architect from Trentino who survived the First World War, left an enduring mark on the mountainous landscape of Monte Bondone. In the aftermath of the war, he undertook various architectural projects, including an alpine chapel in Vanéze in 1929.
Funded by a spontaneous committee, the church stands as a testament to the communal sharing and gratitude among those who endured the war, and enjoyed a unique freedom in its construction as it was not commissioned by any diocese or parish. The octagonal structure, characterised by shingle roofing and pristine white walls, pays homage to Christian traditions while providing a serene haven amidst the mountains. The chapel’s interior design, including the arrangement of the altar and other spaces, demonstrates the architect’s modern vision that surprisingly anticipates the liturgical reforms of the Second Vatican Council. Surrounded by breathtaking mountain vistas, the construction remains a symbol of consecration and contemplation, even though the planned bell tower conceived by Sottsass in 1952 as a final act of re-consecration for the beloved mountain was never realized. The story of Sottsass and his chapel reflects the delicacy of “architectures drawn slowly, with attention and wisdom” which are necessary to avoid bringing harm to the mountains.
Memoria e preghiera dopo la tragedia. Quattro opere di architettura sacra per il Vajont, tra polemiche e sfide progettuali
This brief essay focuses on the main projects of sacred architecture realised in Vajont during the twenty years following the tragedy that ocurred there sixty years ago. Designed by the already established Michelucci, and the younger architects Avon, Tentori, Zanuso, Gresleri, and Varnier, these cemeteries and churches represent not only the reconstruction of indispensable structures and facilities, but also an attempt to redefine (the remains of) villages, landscapes, and community identities. As a counterbalance to urban planning, which seems to impose overly rational housing models and standards – being therefore unintelligible to the average citizen – these more punctual creations aim at a greater respect for the specificity of these extraordinary contexts, recovering images and memories from the past with sophisticated sensitivity, firmly rooted in the landscape.
While these creations are certainly unique in their approaches, which are summarized in this essay, they are also united by the main goal of avoiding monumentalism and rhetoric.
«No house should ever be on a hill or on anything». La chiesa di Corte di Cadore e i dettami dell’architettura organica
The Corte di Cadore Church, as explained by Edoardo Gellner in his Quasi un diario, played a significant role in the architectural and urban composition of the entire complex of Corte di Cadore. From the beginning, it was decided that it should constitute the dominant element of the entire village, close to the central hub and the collective facilities and services necessary for the smooth functioning of the entire complex. The strategic positioning of the church was carefully considered in terms of its relationship with the built environment and the surrounding vegetation.
Rather than being placed at the summit of the mountain, the church was thoughtfully positioned at a slight distance. This deliberate choice allowed the crest of the small hill and the lush vegetation of pines, junipers, and other underbrush, to seamlessly integrate as a complementary frame and background to the architecture of the church. The architecture described in this essay through the memories of one of the designers, Edoardo Gellner, is a testament to the collaborative brilliance of two architects, Gellner and Carlo Scarpa, whose collaboration contributed to the creation of architectural works rich in meaning and references.
Una mitologia alpina
This text superimposes a seemingly random geometry over certain locations in the Alpine massifs, one that is certainly reductive and debatable, yet still connected to an evident modern unease. Over a period of a few decades, from the end of the 19th century to the early decades of the 20th century, some Alpine locations have been home to significant events and figures in the arts and culture, defining a concentrated itinerary in a relatively limited area. The figures introduced here carry ideas and embody forces far from the commonplaces that accompany our perception of the mountains and the more widespread image assigned to them. In this sense, it is also possible to approach the theme from Alpine iconography, whether it be the work of great artists, attempts at scientific representation or the simplest popular depictions. The protagonists of these itineraries are, indeed, directly linked to different ways of representing the mountain.
La sacralità della montagna e la crocifissione del pensiero
Architetture alpine per la spiritualità
Tatras Phoenix. Restoration Architecture in the alpine environment of the High Tatras
The architectural concepts of the High Tatras region reside mainly in the foothills, where they form the basis of mountain tourism. On the exposed terrain of the Tatra Mountains there are huts that were once the result of craftsmanship, but today there is an increased concentration of architectural interest. We are focusing on architectural design in the context of adapting the typology to the visitor’s needs or in response to the challenges of extreme environments. The focus involves the structural alteration, restoration or reconstruction of a building that represents an architectural discussion of the alpine environment. The huts under study trace the colonization of different vegetation zones and the different typological standards of the hut. The architectural planning process represents an example of restoration of a post-war modernism work, its reconstruction into a new form and the response to the problem of avalanches in the alpine environment. Through the prism of the social situation and technological innovations, we explore the transformation of the hut typology and its relationship to its setting. At the same time, we look for a connection to the original building destroyed by fire or avalanche or a reflection on regionalism or the general architectural discourse. The article presents a brief introduction to the architectural scene in the High Tatra region from the perspective of socio-political changes. The main question was: what principles does architecture apply in a high mountain environment? Differences and innovations are sought in the context of design in the foothills and urbanised areas, as well as in the context of the social situation and the authors of the project themselves.
The first elements of contemporary architecture in the Albanian Alps
The Albanian Alps, with an elevation ranging from 285 m to 2694 m above sea level, like all the high mountain areas, have experienced isolation until recently and consequently, time has stood still there, maintaining a slow development. Until the 1990s, settlements in the mountainous areas were in complete harmony with a cultural landscape and architecture entirely traditional for the time. After the fall of totalitarianism, these areas underwent massive migration due to the difficulties in lifestyle and the lack of services and roads. It was precisely the 50-year totalitarian isolation and the abandonment during the 25-year transition that caused a “pause” in the development of the region, which is also reflected in the architecture of the area. With the exception of 4-5 buildings that try to bring a more contemporary architectural style, the rest remains a continuation of ‘Vernacular Mountain Architecture’. Stone kullas, Albanian term for dwelling in mountainous areas, with their typical vernacular Alpine style, minimalist in form and in perfect harmony with nature, vastly dominate the cultural landscapes of the settlements in the Alps. Sometimes they are found in ruins and degraded by time and sometimes they are grouped together in hamlets or neighborhoods.
Bauen in den kroatischen Bergen
With 6% of built-up space, Croatia is certainly one of the most sparsely populated countries in the European Union, but at the same time it is intertwined with mountains in almost every region. The 150-year history of mountaineering in Croatia has resulted in more than 6,000 km of built trails and 163 mountaineering facilities, which speaks of a highly engaged national mountaineering association. In the beginnings of the Association’s activities, Dr. Ivan Krajač, lawyer and politician in the Government of the Kingdoms of Serbs, Croats and Slovenes, stimulated the development of mountaineering in Croatia, as well as the construction of mountaineering infrastructure. Undoubtedly, one of the most significant buildings is the Premužić trail, which he designed together with the forest engineer Ante Premužić – the trail in the Northern Velebit part is an almost straight line, with only a small number of ascents and descents, and follows the most beautiful landscapes. The Krajač’s house at the foot of Mt. Vučjak, known as the Zavižan Hut, was built in his honor. After several expansions and renovations, it is now undergoing a thorough reconstruction.
In recent times, a need to restore the built structures has emerged, in which, with several reconstructions and new constructions of mountain shelters, under the leadership of mountaineer and architect Ivan Juretić, a new chapter in the development of built infrastructure in the Croatian mountains is being traced.
Contemporary mountain architecture in Serbia
Although Serbia does not have significantly high mountains, it does have vast mountainous areas south of the Danube River. Since most rural mountain houses in Serbia have disappeared over the last three decades, traditional mountain building is reduced to sporadic reconstructions, mostly for open-air museums and ethnic parks.
Contemporary mountain architecture in Serbia is developing under the same overall influences of the rest of the country. These influences, among others, are the primacy of market demands, non-systematic planning, and lack of investment in raising the level of spatial culture among the general public. Fortunately, some examples illustrate the willingness of architects to push the contemporary Serbian architectural practice forward and the willingness of investors to consider a wide range of influences and aspects that generate a comprehensive response to contemporary demands and concerns. The selected projects presented in this article show different responses in relation to the context, environment, heritage, and ideas of contemporary life in rural and natural areas.
Most of these examples follow a more experimental approach. This usually stems from links to regionalism and modernism. Despite expectations, Serbia cannot join the most progressive European currents or fully adopt the vision of individual high-quality national architectural agents overnight. However, the Serbian architecture scene will be increasingly present in the media, also as a result of international connections and circumstances that had somehow ‘matured’.
An uphill battle
Dinaric Alps: the other Alps. They still give off that vibe, don’t they? The entire region: the other Europe. We will probably never shake off that attribute, so why not embrace it? If the entire Balkan region is the other Europe, then Dinaric Alps are the other, darker, unknown, chaotic Alps? Let’s pretend, for the sake of this article, that they are.
A large part of Bosnia and Herzegovina and the eponymous mountain – Dinara, lie within this mountain range. Apart from the extreme north up to the Sava River and part of the south that lies in the fertile Neretva River delta, the entire country and the lives of its inhabitants are defined by mountains. The place names and the customs still practiced today, which predate Christianity and Islam, testify of their rich role in the lives of people who live there (for example, the name of Mt. Prenj is related to the Slavic god Perun, Velež is linked to Veles; on the peak of Džamija people offered cheese and performed religious rituals to ensure favourable weather conditions, etc.).
This article will focus on positive architectural practices but will also cite negative ones because it would be irresponsible to present everything as picture-perfect and thus minimize the efforts needed to produce the extraordinary in such a context. This contrast is what makes this architecture valuable. Several typologies will be presented, but the article does not claim to be a comprehensive, detailed overview of the contemporary architecture in Bosnian mountains.
Bits and pieces on the “phenomenology” of Balkan highland architecture
Discussing the phenomenon of the Balkans is always a delicate task. The term is elusive and can be understood in different ways, from the geographical and cultural to the political context.
The Balkans is an area of great strategic importance, which has historically been a bridge of cultures between East and West and between South and North. Its original name comes from a mountain range in Bulgaria called the Balkan (Old Mountains), but the central Balkan peninsula is covered by the long Dinarides. Even though modern geographers do not agree about the term and its borders (they rather speak about “South-Eastern Europe”), one of the definitions of the Balkan peninsula includes the territories south of the Kolpa, Sava and Danube rivers, surrounded by the Adriatic, Ionian, Aegean and Black Seas.
Today this heterogeneous area is home to a number of countries, the central ones being Croatia, Bosnia and Herzegovina, Serbia, Montenegro, Kosovo, Albania, Northern Macedonia and Bulgaria. Sometimes part of Romania, the continental part of Greece and a small European piece of Turkey are also comprised, as well as Sloveniain the far north.
The following text is intended to introduce the diverse context for the subsequent essays by Dario Kristić (Bosnia and Herzegovina), Andrej Strehovec, Maja Momirov (Serbia) and Robert Jonathan Loher (Croatia).
Representations of a vast territory and complex history: diverse faces of contemporary mountain architecture in North America
The vastness of territory that makes up the mountainous areas of the United States and Canada could be characterised more by its diversity than by any common trait. Different environmental, socio-cultural and historic conditions mean a wide array of architectural response strategies.
Many elements play a role in dictating contemporary mountain architecture in North America. The ruggedness and remoteness of the mountain territories drives materiality and design influences. Land ownership ranges from private to tribal to federal and has an impact on the built environment, as does the historical context which spans from thousands of years of indigenous habitation to homesteaders and settlers in the last two centuries. Recent efforts to revive and preserve Native American traditions have seen an increase in indigenous influence on design, while inspiration from Europe and Scandinavia has likewise had an impact. The result of this myriad of influences is not a definable American mountain architecture style but rather a multifaceted diversity of approaches to design.
The essay begins with an introduction to the diverse contexts of the mountain ranges in Canada and the United States, then illustrates the variety of approaches to contemporary architecture within the territory through examples projects from four architectural studios spread across the region.
Chilean mountain architecture
In Chile, the word mountain requires further disambiguation, otherwise it will not define a specific landscape or climate condition. Unlike other mountainous conglomerates, climatically it is as highly diverse as it can be expected when covering such different latitudes.
With the arrival of mountain sports in the first decades of the last century, a number of first Refugios were explored in several valleys primarily in central Chile, where altitude, precipitation, temperature and population density overlapped with the will and power of the first pioneers, many of them carrying their own dreams and knowledge from Europe.
These settlements, together with a handful of new villages further south, constitute the bulk of study, to which we at DRAA (Del Rio Arquitectos Asociados) have been mostly invited, aiming to provide a sensible approach to the changing needs of the mountain in a diverse array of topographic and climatic situations, such as those described.
Mountain design has influenced the way we have understood architecture, regardless of context; the limited use of space, energy efficiency and context pertinence have been key issues to address. At present, with the Farellones Mountain Museum and other museums, housing and refuge projects underway, we aim to convey our view of architecture.
Architecture in Japan’s mountainous areas: shapes determined by external factors, the natural environment
For nearly 30 years, I have been fascinated by architecture built in mountainous areas and have been conducting research and analysis mainly in Japan. Many of the mountain lodges located in hostile natural environments are devoid of decoration because of their setting, and the bare form of the space appears inevitable. Beauty can be found in such simple and sturdy construction, and it can be said that this is the strength of architecture that emerges from the confrontation with harsh natural environment.
In Japan, when building in national or semi-national parks, there are often regulations on forms, such as “gabled roofs with a slope of 3/10 to 5/10” and color, such as “no more than two colors out of dark brown, red rust color, or soft brown”. Architecture in Japan uses a timber-frame construction method in which the structure is built with columns and horizontal beams, and roofs are built by adding trusses on top of the structure. In addition, due to Japan’s rainy and typhoon seasons, which bring heavy rainfall, most buildings traditionally have sloped roofs with large eaves. The gabled shape of mountain buildings is a natural form in this respect.
In this article, I would like to introduce some of the mountain architecture like Karasawa hütte, Tateyama mountain villa, Nozawa-Onsen lodge designed by the late Prof. Takamasa Yoshizaka, one of Japan’s leading postwar architects, as well as other architectures in mountainous areas such as Mt.Ontake visitor center, Gokayama Cross Base, Hüt-TENT designed by the author.
Fjäll, o le altre Alpi: costruire nelle montagne del Nord
Contemporary Nordic architecture is shaped by its relationships with the global architectural practice and its material and cultural ties to the regional context. This essay investigates the specificities of mountain and rural architecture in the Nordic countries over the last two decades, with case studies from Norway, Sweden, Finland, and Iceland. Due to their proximity to the Arctic Circle, the living conditions in these territories are very close to those in the Alpine regions, despite the lower elevation.
The essay analyses several factors that are currently at play when it comes to the architectural practice in the North: the relationship between landscape and tourism, the reuse of 20th century rural heritage, the resilience of traditional building techniques, and the clashes between local territories, extractive policies, and colonial power.
Contemporary architectures in inland Corsica: the projects of Amelia Tavella and Orma Architettura
The territory of Corsica is an extensive mountain range emerging from the Mediterranean Sea. From the morphological point of view, it is a mountainous region; the flat area coincides with the narrow Tyrrhenian coastal strip of the Aleria plain. With a very low population density, which grows extensively during the summer period, Corsica preserves specific environmental and landscape characteristics that determine the quality of the place; in this respect, it is worth noting that approximately one-third of the territory is a protected natural park. The island’s main economic resources are tourism and the traditional agro-pastoral and wine economy. The essay illustrates four projects, two by the Orma Architettura studio and two by architect Amelia Tavella. All the architectures presented are united by the extreme control of the project, which determines their high design quality in terms of their relationship with the landscape, the built heritage and the local communities.
Indizi. Nuove ecologie del progetto nelle aree interne della Sardegna
New architectures for new protagonists: is this what has been happening in inland and mountain Sardinia over the last two decades? And in which direction is modernization going: does it operate on the self-referential level of forms, or is it associated with innovative development paradigms? The paper addresses the awareness of identity as a project, which starts from the discovery of the relationship between constructive cultures, shapes and processes of historical communities and settlements.
In the 1990s, the first results start from the recovery of historic centers, while in the early 2000s the focus shifted to the landscape, transforming a purely conservative approach to places into a proactive one. A new generation of social and institutional leaders – and producers – brings out new clients for projects that re-interpret landscapes, architecture, object design, between continuity and innovation: not through mimetic traditionalisms, but by rediscovering “new ecologies” for transition.
Generare paesaggi, generare comunità. Progettisti e architetture del welfare urbano contemporaneo nei territori interni della Sicilia
On the basis of a common definition of landscape, which integrates a wide range of cultural approaches and disciplinary themes, contemporary architectures and urban projects can create high-quality landscapes. Especially in non-metropolitan Italian territories, communities of “producers” and “inhabitants” of landscapes work on the renewal of the mosaic of residential, productive and service functions. Not dissimilar is the situation of inland Sicily, where a process of generation of a new landscape seems to have restarted. It integrates aesthetics, architecture, urbanism and ecology and marks the development of a new way of community-developed patronage.
In a personal and non-exhaustive way, the article describes some cases where we prefer new community-based landscapes over the synesthetic perceptions of endless construction sites.
La Casa della Cultura di Aquilonia (AV): usi specialistici e appropriatezza funzionale
The House of Culture is a public building for recreational events and multimedia productions designed by +tstudio for the small municipality of Aquilonia (AV) in the Campania hinterland. The project intervenes on an existing building used as a nursery school, later decommissioned due to deterioration and structural instability following the 1980 Irpinia earthquake and fire. The project, completed in 2015 and financed as part of the Campania Region’s public works for safe buildings, consisted in the seismic adaptation of the former nursery school and its reuse to meet the local community’s need for flexible spaces for collective use, capable of bringing citizens together around events and demonstrations all over the year, not just seasonally. The essay traces the design process that led to the construction of the House of Culture with a particular emphasis on the role of this building in relation to the community and the territory on which it stands.
Contestualismi appenninici, tra Mediterraneo ed Europa, per riabitare i piccoli paesi
The paper looks at marginalization and depopulation of small towns in inland areas by envisaging a possible new Mediterranean spirit in architecture, conceiving the Apennines as a geographical line connecting the Mediterranean to Europe. According to Raffaele Nigro’s thesis, they are a line that establishes links between points, rather than oppositions. A Mediterranean consciousness, which recalls Braudel and Matvejevic, but is also aware of contemporary plagues, from climate change to migration and poly-crisis, and open to a profound knowledge of geographies and contexts, in which architecture and design help to rediscover the dimension of the livability of places, possibly breaking down the perimeters of borders. Grasping this need, the ARÌNT Master’s course has oriented its training in the direction of qualifying a professional figure capable of coordinating regeneration processes, also experimenting with on-field experiences. The course explores regeneration methods starting from certain fixed points: a transdisciplinary outlook, a trans-scalar approach to the study of contexts, weaving of territorial ties, re-appropriation of community spaces in order to build communities, re-use of disused buildings and spaces (contemplating transitory uses), and the triggering of processes.
Editoriale
Vaia, un punto di partenza
In October 2018, the three-days storm Vaia flattened 42 million trees to the ground, across a vast area extending from Lombardia to Friuli Venezia Giulia. This extreme weather, which has never been recorded before in Italy, reflects the dramatic nature of climate change. Not only did the storm significantly alter the entire forest area, it also led to the uncontrolled proliferation of the bark beetle, negatively impacting the Italian timber industry. PEFC Italy has set up the ‘Filiera Solidale’ initiative in order to restore the value and importance of timber. In fact, it is aimed at encouraging the purchase of objects and structures made of wood from the storm-damaged areas at a fair price. In this regard, two successful examples are described: The Social Housing Project, inaugurated on 30 May 2022 in Rovereto, and the historic Legnolandia company in Friuli. In both cases, the timber comes from the forests that were devastated by the Vaia storm. In addition, the WOWnature project by Etifor (the spin-off of a project by the University of Padua) offers the chance to get directly involved by adopting a tree in the areas that have been most affected by Vaia and the bark beetle. The care and concern shown for the storm-ravaged forests is an excellent starting point for planning the future of the Alpine territories, focusing on the necessary balance between human and nature.
Architettura, legno e ambiente. Esperienze dal Vorarlberg
The contemporary architecture of the Austrian Land of Vorarlberg represents a paradigmatic case of sustainable architecture at the international level. It owes its fame, above all, to the massive use of wood in contemporary architectural production. According to Marie-Hélène Contal, in this region, ecology and sustainability, whether environmental, social or economic, do not simply symbolize a vision or a political programme, but are rooted in the inhabitants’ everyday life and rules of behaviour. The regional architectural culture owes its relevance to various social, cultural and economic factors, including the well-established construction timber industry, which plays a crucial role in generating architectural quality and design in the region. The essay deals with several key issues that, on the one hand, have determined the critical fortune of Vorarlberg architecture and, on the other, shows how the social, cultural, environmental and economic components rooted in the Land have reverberated in architectural quality.
Materielle und immaterielle Landschaftsveränderungen. Risikoschutz im alpinen Umfeld
The complex use of the Alps as a settlement area and a sports and leisure environment inevitably lead to the increasing construction of technical and architectural infrastructure to protect against so-called natural hazards. These inevitably have an impact on the landscape and, thus, also on the perception and image of it. The article is dedicated to this nevertheless often neglected part of the alpine infrastructure – the measures and large-scale shoring for the protection against avalanches. Not only the material safety infrastructure is of interest, but also the importance it has for the image and perception of the Alps. The focus is on where the measures for protection against danger not only help to shape the physical landscape but also become part of the cultural construction of the Alps. Three image areas were examined – that of the state institution for avalanche control (Forsttechnischer Dienst für Wildbach- und Lawinenverbauung – WLV), that of marketing, and that of the art system. They show how media intersections are now being found after decades of technical construction and visual communication of the Alps running counter to one another. Today, motifs and image strategies from the field of protection planning are entering the field of advertising images, just as developments and approaches from art and advertising are finding their way into images of security production. Finally, one can assume that advertising images in the Alpine region will appear in the future to feature more frequently elements of safety engineering – to complete the ideal image of the Alps with the construction, in which safety architecture is realized as a cultural resource.
Research by practice in the alpine environment: discovering the activity of MonViso Institute in Ostana. Dialogue with Tobias Luthe
New ideas often come from external influences, different paths that are essential for developing an economic model that’s not based on repeating the past but on three pillars: cultural traditions, natural environment, and new ways of thinking. This happens at MonViso Institute, in the Western Italian Alps, where a group of researchers, designers and entrepreneurs has been involved in place-based research into transitions towards sustainability, regenerative design and architecture, and building a deep relationship with the social, cultural and natural environment. The Institute’s activities involve education in new technologies, climate change, permaculture, the circularity of materials, design with bio-composites, regional economics, which is embedded in outdoor projects in cooperation with European universities and other environment-oriented institutes. Together with the cultural and social realities that have been locally developing during the last decades, MonViso Institute takes part in the regeneration process of the alpine village of Ostana (CN), by representing a significant, concrete programme that can be out-scaled to describe re-inhabitation strategies that may interest several mountain territories.
Ice Stupas. Ein Projekt zum Wassermanagement im Gebirgsraum
The essay goes into the prototype project called ‘Ice Stupa’. The project was realised in Ladakh (India), a territory in the Indian part of the Himalayas. Specifically, the project is located in the Indus Valley at an altitude of 3500 metres above sea level. Its location under the monsoon rains, behind the first great Himalayan Mountain range, makes the valley a natural high mountain desert. It is, therefore, scorched with little rainfall. The sun shines for about 360 days. The remaining glaciers provide water for living beings and agriculture. Due to the cold at these altitudes, the glaciers only begin to melt in May and only release sufficient water for cultivated land downstream. However, sowing and the start of growth should occur much earlier because plants grow much more slowly at this altitude. The result is an often poor harvest, which further impacts the already difficult living conditions of the Ladakhi people. The ‘Ice Stupa’ project represents an exciting water management solution when the virtuous management of natural resources is a crucial issue. The Ice Stupa system concretises the interaction between architecture and the environment. The essay also presents some projects realised in the Swiss Grisons.
Application-oriented digital tools for timber construction. Dialogue with Yves Weinand
Over the past two centuries, steel and reinforced concrete have played a predominant role in research and application in civil engineering and materials science, leaving a void in structural wood research. However, the environmental arguments in favour of expanding the possibilities of using renewable wood resources are becoming increasingly evident. in recent years, society’s growing awareness on the urgent need for sustainable building materials has influenced the newfound economic importance of timber construction. Environmental awareness is helping to restore or establish the legitimate use of wood in building our cities on an unprecedented scale. This essay is an interview with Prof. Yves Weinand, in which he briefly explains the experimental activities taking place within the laboratory and how these are changing the way we design and build with timber. On a broader level, the investigations of the IBOlS Group contribute to a deeper understanding of spatial structures in general and set new precedents for the cooperative interaction between architects and engineers who will be analysing such structures.
Biodiversità, Alpi, Architettura. Esperienze dal premio Constructive Alps
Due to their geographical, orographic, cultural, and historical characteristics, the Alps can be considered a vast park, representing a reservoir of biological diversity in the centre of Europe; however, such biodiversity is at serious risk. The Alps are breath-taking in their nature, with their peaks, trees, water, animals, insects, people and languages, as well as in their impressing architecture made of the same materials as forests and rocks. On the other hand, the Alps currently count 120 million tourists a year, they are compromised by industries, motorways, cities, consumption, their forests are broken up by ski slopes and ski lifts, their glaciers are disappearing, and the valley floors are exploited down to the last usable metre. In the Alps, the climate crisis is not just any emergency, but the main crisis determining all the others.
In this fragile environment, the Constructive Alps award is an established reality in the panorama of research on contemporary Alpine architecture. Since 2010, Constructive Alps has been investigating environmentally aware contemporary Alpine architecture, the only viable architecture there. Over the years, a large number of the approximately 2000 realized works proposed by designers and clients have proved to be attentive to the dialogue with the natural context and the biodiversity of places.
Those projects can realistically constitute an atlas of virtuous places, a rich catalogue of good practices, and an articulate handbook of solutions and techniques. The essay begins with a glossary that enunciates the concepts of “biodiversity”, “Alps”, “architecture”, and “Constructive Alps” and then recounts four projects selected by the award jury that stand out for their stimulating interpretations of the relationship between architecture and the environment.
Una bonifica, una strada e alcuni ragionevoli dubbi
The complex territorial operation, carried out by the Zegna family from the 1930s onwards, emerges as one of the most significant infrastructural projects of the Biellese Prealps, linking the fate of this region to the Trivero wool company. The construction of the Panoramica Zegna, along with the development of new facilities and territorial equipment was part of a broader process of programmatic modification of the Alpine territory and its imagery directed at modernizing – and exploiting – its great variety of mountain resources available, from water to land and landscape amenities. Despite the significance of the territorial initiatives implemented and the extent of their effects, the overall event itself is still poorly investigated. Most narratives and research focus on the tourism purpose of the infrastructural development of the mountain region, leaving other trajectories in the background, which– although compared to the former they have never led to tangible results –left an indelible mark on the territory both in terms of legal practices and local development projects. Although still in its embryonic stage, the aim of this work is to systematize some of the procedural circumstances as well as the spatial and territorial effects that this extended history has produced.
I boschi alpini del Settecento come “exemplum” dei fenomeni ambientali contemporanei
The author discusses the concept of “natural environment spatialization” referring to the 18th century Western Alps context. Under the Savoy dynasty, resources began to play a means-ends function, becoming commodities to be extracted and turned into profit according to the Enlightenment’s idea of forest as economic resource, thus losing its role of habitat. The state’s necessity to manage these territories led to the birth of a new legislation that not only did regulate exploitation but also catalogued everything that could constitute an income for the state, e.g., fields, woods, and mines. Such interpretation of nature have characterized the mountain environment of the following centuries, up to the present day. Nowadays, due to the global crisis, the hitherto localized extractions are being stimulated again through a phenomenon of new internal extractive practices that mainly apply to the Alpine territory, and in which forests and minerals are the main resources.
Silenziosi creatori di paesaggi. Il Villaggio di Gellner tra azione e riflessione
The village of Corte di Cadore created by Edoardo Gellner in the 1950s is the result of different phases in which thinking and acting were skillfully alternated to create a series of landscapes and ever-changing balances between architecture and nature.
In the first phase, the natural element was meant to cooperate with the built element, connecting it to the surrounding natural scenery, thus generating a new “built landscape”; however, the vegetation grew lusher than expected, threatening to compromise the visual relationship conceived by the architect. In the wake of these sudden changes, the architect began to interpret the new landscape as an element to be enhanced and designed to limit its effects on architecture while maintaining its anarchist proliferation. The landscape project for the controlled felling of parts of vegetation had soon to be adapted to the change of management of the site, according to a forest planning approach that often does not take architectural issues into account. The recent events of the Vaia storm and the bark beetle infestation seem to indicate Nature’s desire to regain control and create its own image.
Il legno di provenienza nazionale: una risorsa per l’edilizia alpina
Italian forests cover more than one third of the national territory, yet the amount of timber yearly harvested is considerably limited. Increasing the use of national timber, with a sustainable approach, is a relevant opportunity for our country given the environmental, social and economic benefit it could bring. The prospects are favorable indeed, since the demand for timber has recently increased in many sectors, and the Italian wooden resources are well suited for several and valuable uses.
Proximity supply chains can play a significant role in the forest-wood sector, as some best practices demonstrate and are therefore to be supported at different levels, in terms of system, engaging operators, and attracting investments. In this context, various types of architectural solutions can effectively contribute to promote our national timber by conveying the countless values it would bring to construction. The same applies to the national territory, and in particular for the Alpine area, where wood and its uses are integrated into the local culture.
Valenze strategiche delle Comunità Energetiche
The concept of Energy Community is currently beginning to be appreciated by non-experts. Until about a decade ago, electricity generation was exclusively centralized and mostly run by fossil fuels. the power produced would then reach people’s homes through high, medium, and low voltage networks. Today, with small-scale plants, energy generation has become increasingly local and clustered near the consumption places, particularly thanks to the spread of photovoltaic systems, which are versatile in their application and have very few limitations in geographical distribution. Recently, other renewable sources small-scale plants have been developed for local and domestic use, greatly reducing losses related to transportation and distribution. In this context, one of the main objectives of the Energy Communities is to maximize and, therefore, stimulate both prompt and proximity self-consumption with appropriate incentives like State and European funding.
Green communities, investimento di comunità
Le Alpi nel 2050: clima e territorio
The Alps are indicators of climate change. Thanks to their variety of environments and altitudes, these places uncover some of the manifold consequences of global warming. Starting with the analysis of the current situation, 2022 has been an example of what, ever so frequently, may happen in the future: summer temperatures 3 ºC hotter than average has given rise to drought problems, trees and forests loss and a record reduction in glacial mass across the Alps. What lies ahead? What are the prospects for the future according to climate projections? The answer lies in the effectiveness of climate policies that, if unheeded, may result in catastrophic scenarios. The complete failure of the actions planned and implemented would, in fact, lead to climate chaos, inevitably affecting the habitability of the mountain areas. But not all is lost: virtuous practices will make it possible to achieve the 2-degree global warming goal, also thanks to a new way of living in the Alps that, bearing risks in mind, understands the need to divert financial resources to the environment, avoiding the unmanageable and managing the inevitable.
Architettura e ambiente, una relazione complessa e mobile
The thesis underpinning the thoughts presented in this issue is the interaction between architectural culture and the environment, between intentional environmental modification brought about by building in the mountains and its conceptualization in the historically-determined forms that have characterised modernity since the late 18th century. The environment is here understood as material – mountains, lakes, forests, climate, air, water, ice, animals – with its countless cultural and scientific modes of conceptualization.
This theme is not only up-to-date, but will be the core issue of the long phase of climate transition that is our future. Thus, it is natural to question the extent to which environmental transformation is redefining how constructive action and the environment relate to and influence each other. In order to look at this interaction in the present and in the near future, it may be essential to interrogate the two-and-a-half centuries of history of modernity within the Alps, with the progressive prevalence of urban technology cultures that will disperse the historical ways of life and the relative building practices as the 21st century advances.
Editoriale
L’architettura per la produzione nelle Alpi
Architecture for production in the Alps
Abstract
Production buildings and infrastructures, being the man-made marks left on the Alpine landscape, have historically had a different value than they have today. For a short period during modernity, they were used as advertising elements to represent the progress of Alpine territories and were later ignored by the architectural discourse, which failed to understand their cultural, environmental and ecological values. These buildings were often the subject of that “spatial separation” between the energy production and the energy consumption areas which contributed, even in the Alpine territory, to the construction of industrial areas devoid of any character or attractiveness. It is only since the end of the last century that the growing environmental, social, cultural, and political awareness, as well as the emergence of major environmental and climate crises have contributed to the realisation that the quality architectural project is of fundamental importance in the construction of industrial and productive buildings. After a brief introduction, the article illustrates some examples of contemporary architecture for production in the Alps, arranged functionally. There are agricultural buildings, small workshops, facilities for the production and distribution of electrical and thermal energy, waste treatment plants, and office buildings.
Tra polveri e ferite: il centro studi e ricerche Tassullo – gruppo miniera San Romedio a Tassullo
Between dust and wounds: the Tassullo study and research center -San Romedio mine in Tassullo
Abstract
It is sometimes worthwhile to distance oneself from the limitations of modernity and focus on projects that for their impact and clarity have become reference points for their way of relating to contexts and time. Such is the case of the Study and Research Centre, built in the early 2000s by RuattistudioArchitetti for the historic company Tassullo Materiali Spa, now owned by the Miniera San Romedio group.
This project explores and focuses on the issues that characterise places, bringing their original and archaic dimensions back to life. It is based on a coherent and resonating architecture that echoes and is in harmony with the context; the building is rooted in the landscape and offers new viewpoints that allow us to see infinite possible landscapes. Here, more than in other projects, forms and symbols reveal and speak to us about the rural fabric of the valley, creating semantic fields of agricultural and cultural values that connect “text” and context.
Modello di stalla sostenibile per l’allevamento bovino
A sustainable model for a stable for cattle breeding
Abstract
New agricultural structures, especially those for cattle farming, have an undeniable impact on the landscape. The main problem is due to the size of the livestock buildings, which depends on the number of animals. The stables of the traditional rural complexes were mostly of limited size and often also integrated, in an almost complementary way, into residential buildings. The number of animals was very small, as they were only intended for family subsistence. Today, a cattle farm requires a much larger number of animals to be sustainable and, consequently, sufficient space for the welfare of the animals and to improve the quality of the final product.
The impact on the landscape becomes a fundamental issue that the project must address consciously, together with the other aspects that increasingly characterize this type of architecture.
The Department of Architecture and Design of the Polytechnic of Turin, the Experimental Zooprophylactic Institute of Piedmont, Liguria, and Valle d’Aosta, with the collaboration of the “La Granda” consortium, conducted a research study aimed to define the characteristics of a stable for Piedmontese cattle breeding by translating the needs of animal welfare, environmental sustainability and integration with the surroundings into an architectural model.
Il paesaggio, prodotto e risorsa. L’esperienza di Contrada Bricconi nelle Alpi Orobie bergamasche
The landscape, product and resource. The experience of Contrada Bricconi in the Orobic Alps
Abstract
The project of Contrada Bricconi started out as Giacomo Perletti’s dream. Born in 1986, he is a farmer and the symbol of the great passion that has driven the development project of a farm that has existed since 2010, which was when an agreement was signed between the newly founded company and the municipality of Oltressenda Alta. The agreement provided for the concession of some buildings owned by the municipality in Contrada Bricconi, an ancient stone farm settlement dating back to the 15th century and located at around 900 meters above sea level, on the border of the Parco delle Orobie Bergamasche in Val Zurio, a valley situated at the side of the Serio River basin. Since that day, the company has seen a surprising convergence of multiple people, institutions, and initiatives. Over the years, they have contributed to the realization of an ambitious project aimed at reintroducing an agricultural activity in the contrada, which had been in a state of semi-abandonment, redeveloping the existing buildings while preserving the landscape, offering the appropriate catering and hospitality for the mountain context, ensuring the economic sustainability of the new-born company. The history of Contrada Bricconi tries to teach that the landscape is itself the product of a rural society that has shaped the vegetation, topography, infrastructures, and settlements over the centuries. The return of agricultural activities in the mountains, albeit intervening on pre-existing ecological and social balances, is essential to ensure the preservation of the local heritage, which needs people’s presence and work to survive.
Architetture e manufatti per l’allevamento
Architectures and artifacts for farming
Abstract
The issue of rural architecture is finally being raised in the architectural debate, especially in the Alps. Even if most large buildings for livestock farming are not considered a kind of architecture today, many remarkable projects were realized in the Alps in the last decades. The scales of the interventions differ greatly, but some elements, like the attention to detail, the merging of different scales, the focus on the cultural context, and construction have often been taken into consideration.
Through a series of projects, we examine the strategies and solutions applied by architects taking into account the local specificities and cultural backgrounds. Perhaps precisely because of their very peculiar needs and functional programs some projects are interesting fields of experimentation we can look at, reflecting on contemporary architecture. Thus, by analysing the architecture for livestock farming in the Alps we may consider some of the emerging topics of our times with great clarity and strength.
Cantine vitivinicole alpine, il caso di un “sistema produttivo” in Alto Adige
Alpine wineries: the case of a “production system” in South Tyrol
Abstract
Within the context of agricultural production, vinification has peculiar characteristics due to the sort of “sacredness” of wine and its aging process, which takes place in dedicated spaces. Starting from the end of the 20th century, the figure of the architect has been increasingly involved in the design of the wine-making buildings. Whatever the reason driving many companies in this direction, this has had global resonance and even affected the Alps: among the Alpine countries, this phenomenon has been particularly prevalent in Italy and especially in South Tyrol, a territory where contemporary architecture has been gradually emerging and where architectural competitions are more common, contributing to improving the quality of the projects.
The region has put local architects at the center: they have actively participated in this intense work on wine cellars, albeit without denying the pre-existing buildings; thus, they preserved the original production volumes and mainly intervened with extensions. However, an already well-established tourism sector has reduced the depth of this process – which has taken place rapidly and in a geographically limited area – as interventions have often focused on attracting the attention of tourists. In many cases, this approach has led to an excess of shapes, technologies, decorations and colors, creating something that resembles a sort of wine theme park. However, there are some exceptions to this phenomenon that are worth discussing.
Architettura e produzione nel Sudtirolo contemporaneo
Contemporary architectures of production in South Tyrol
Abstract
When the German-speaking community of South Tyrol regained the ability to manage the provincial territory, action was taken on the economic reprogramming of the area, favoring a widespread development. At the same time, the region’s capital city lost its interest, its economic growth came to a sudden stop and the local productive settlements began to spread across the main valley floors. Instead of having companies of extra-local origin build large industrial complexes in this territory, South Tyrolean administrators wanted to privilege small artisan businesses already present in the territory, which have now become leaders in production and export. Until the 1970s, the local economy mainly relied on subsistence farming; during the last fifty years, however, the manufacturing industry has evolved significantly, and family-run companies have become well-known production centers. Moreover, the agricultural sector and, more widely, the food industry, far from having been abandoned, continue to represent the leading sectors of the South Tyrolean economy.
The architectural language intertwines with the development of the local industrial sector at a time when – perhaps in the wake of design competitions for large provincial public buildings – even private clients have started to understand the importance of making their production sites iconic. Thus, they have become true marketing assets for the brand image of the companies and contribute to building the South Tyrolean landscape as we see it today.
Le pecore, il villaggio e l’architettura di un futuro possibile
The sheep, the village and the architecture of a possible future
Abstract
The architecture of the municipality of Vrin has gained considerable notoriety in recent years thanks to a regeneration project supervised by the architect Gion A. Caminada. His goal was to use the existing architecture and reinvent it to create the premises for a rebirth at a socio-working level, thus promoting productivity and self-sufficiency within the municipality. Thus, the reference economies were those of agriculture, sheep farming and crafts – sectors that were also shaped by the communities living in the agglomerations within the municipality. To relocate the production processes into a collective dimension, it was necessary to rethink the spaces in which they could flourish. The idea was that the workspace could live on through a balanced contamination between nature and artifice, relating productivity to other aspects of daily living.
To understand how the buildings used for productive activities could be emblematic with respect to the Lumnezia valley’s landscape, it was sufficient to observe some stables and barns in the villages or the pastures dating back to the 12th century. In terms of materials and design, they represented the activities of agriculture, pastoralism, carpentry, and craftsmanship in a single form. However, such form is not the only reminder of the many activities carried out in this context; it is also and above all their position in the territory that acts as a reminder of this, strengthening the perceivable spatial context. The Mazlaria agricultural complex in Vrin, designed by Caminada, is perhaps among the most emblematic examples of this kind of design. Vrin’s design experience is related to the circular link that can be established between human activities and processes of regeneration and urbanization. This bond strengthens the synergy between work, leisure and sociability, placing these issues within the same physical and abstract context.
To make it even better
To make it even better
Abstract
The Vorarlberg architect Hermann Kaufmann is a pioneer of the modern timber construction with which his name is inseparably linked. In his pleasant but persistent manner, Hermann Kaufmann has never tired of pointing out the qualities of timber construction and, at the same time, developing it further with his buildings through the use of new modern products and the sounding out of new construction methods in order to make timber construction, as he himself says, even better. He has always been open to new developments. Commercial buildings seem to be a good field for trying out these new developments and new construction methods in timber construction.
As functional and practical as commercial buildings need to be, they also clearly do leave some leeway for trying out new ideas. Clients, architects, and construction companies use such buildings to experiment, to try out new joints, new material combinations and new engineered woods. By looking at a few examples of industrial developments, we can see how timber construction has changed from a traditional to an ultra-modern method, and better understand the advantages that this building material offers and how Hermann Kaufmann prepared this path with his buildings.
This text is an abridged and revised version of an article first published in «Bauband 3: Gewerbebauten in Lehm und Holz», a special edition of the journal DETAIL – Zeitschrift für Architektur + Baudetail.
Acknowledgment
The gallery is assembled by Cristian Dallere and Matteo Tempestini.
La montagna che produce: nuove immagini territoriali per le terre alte
Production in the mountains: new territorial images for the highlands
Abstract
For a long time, European mountain areas have provided resources according to their environmental specificities. Mines and forests, meadows, pastures and streams have allowed the export of minerals and timber, agricultural and manufacturing products as well as handcrafts to the surrounding plains. Production has brought income to local communities while modifying the landscape. During the 20th century, many mountain areas had to deal with more competitive surrounding areas. More recently, mountains have been rediscovered mainly as places of production of environmental, touristic and cultural ecosystem services.
Looking at the mountain as a place of production allows us to gain a new understanding of its territories, to look at them with an unprecedented gaze. In the last two decades, in fact, the images and analyses built around the mountain have clustered around two opposing poles, from tourism to depopulation and abandonment. Society, governments and the world of research have recently attributed promising and positive values to the mountain territories of production; this could have serious repercussions on their destiny. The present essay questions the origins and meaning of this new interest and deals with the theme of production to highlight changes in approaches and points of view. In mountain areas, in fact, the issue of production raises questions, highlights critical issues, imposes new interpretative categories, brings out perspectives for the definition of a structuring relationship between soil design and sustainable ways of transforming places.
Le Alpi: una catena produttiva
The Alps: a production chain
Abstract
The secondary sector has played a decisive role in shaping the entity and speed of social and spatial transformations in the Alpine region. Observing the Alps through the lens of production spaces and their related infrastructures allows us to better understand the relationship between human activities and the unique features of mountain territories. The Alps’ central geographical position in Europe, their geomorphological features, and the presence of several natural resources are some of the reasons why the Alps may be considered a unique technical and innovative laboratory. People have constantly called upon to innovate their techniques to control and extract natural resources more effectively so as to make these territories habitable all year round, or simply to cross them safely and ever more quickly. This paper seeks to contribute to a deeper understanding of Alpine spatial awareness and to provide insight into the hypothetical renewal of the economic and settlement systems that could reveal a new habitability of the Alpine region.
Architetture della produzione nella montagna italiana del XXI secolo
Architectures of production in the 21st century Italian mountains
Abstract
The theme of production seems at odds with the images depicting an idealistic, idyllic daily life of mountain villages and landscapes that appeared in glossy magazines during the pandemic and became imprinted on the collective imagination of urban populations. Production (including industrial production) has deeply altered the life and appearance of mountains in Italy. First during the nineteenth century, with hydroelectric power plants, and then with the gradual relocation of production plants to the plains following the apogee of Fordism in the second half of the twentieth century. Thus, the era of large factories of the 1960s gradually came to an end, evolving towards a period of disruptive “molecular” capitalism and an all-Italian manufacturing system organized in industrial districts. The morphology of production plants evolved too, while products became more and more standardized and were stored in warehouses: in this frenzy of economic growth, the superficiality of capitalism overtook the ancient sector of mountain agriculture, transferring the notion of warehouse into its traditional production facilities, namely barns and stables. Thus, while on the one hand agronomic practices gained new attention, on the other hand the architectural features of production buildings in the mountains continued to seem “out of context”. A renewed attention to the shape of production buildings began to develop even in a climatically and morphologically complex territory such as the mountains. I believe that the features and characters of the new architecture of production will become less authorial and at the same time more explicit in representing the material and cultural relationship with the specificities of the mountain territory and in establishing a dialogue with the cultures that have inhabited these places.
Architetture per la montagna che produce
Architectures for the producing mountain
Abstract
The Alps have been at the center of a long process of proto-industrial development during the entire modern era up until the late nineteenth century. For many historians, in the second half of the nineteenth century the processes of modernization and expansion of the capitalist economy associated with industrial growth disrupted the historical equilibrium, thus radically altering the relationship between mountains and plains to favor the latter.
However, this general interpretation has been critically reviewed in recent years; studies have highlighted that the various Alpine societies have given rise to historical paths that have seen the development of both local and Fordist production models.
After World War II, the historical and traditional industrialization of the Alps experienced a crisis that occurred at the same time as the most dramatic demographic decline – which was especially significant in the Western Alps.
At the dawn of the twentieth century, however, a series of experiences and phenomena began to take place, opening up to the possibility of a self-sufficient and sustainable Alpine production. In this sense, the sector of mountain agriculture is quite emblematic, as it has been at the center of the current phase of rethinking and regeneration of Alpine territories.
Architecture and production in the Alps may effectively interact through the growth of a wood industry aimed at building in the Austrian region of Vorarlberg, which is a particularly relevant issue. In mountain architecture, wood is not used to follow the tradition nor to adhere to a traditional building culture in the mountains, but because this material – as the techniques and savoir-faire needed to work with wood – is the current protagonist of the Alpine production sector.
Shifting the point of view by considering the theme of production also allows us to rethink the themes of ecological transition and climate change.
Editoriale – Architetture per la montagna che produce
Oggi più che mai, il tema della montagna “che produce” sembra essere centrale nel quadro di quelle politiche territoriali che lavorano nella definizione del territorio alpino come uno spazio abitativo autonomo, in grado di ridisegnare gli equilibri territoriali e i sistemi di interdipendenza con le grandi aree urbane di fondovalle e di pianura.
Storicamente basato su un’economia di sussistenza, il territorio montano è stato, tra la fine del XIX secolo e gli inizi del XX secolo, uno spazio industriale e produttivo a tutti gli effetti, vero e proprio “giacimento” delle principali risorse (minerale, acqua, legno, ecc.) per le società urbanizzate. A ben vedere una breve parentesi, se la confrontiamo con la lunga durata del passato agrosilvo-pastorale, e con la condizione postmoderna di territorio “scenario” per la monocultura turistica.
Oggi che la questione di una nuova abitabilità dei territori extraurbani è tornata ad essere sulle agende di sempre più numerosi soggetti istituzionali e politici, tale dimensione produttiva della montagna riacquisisce uno spessore ed una centralità inedita.
Tornare a pensare al territorio montano come un luogo presidiato e vissuto significa oggi innanzitutto riscrivere le relazioni di interdipendenza socio-economica con le aree urbanizzate, cercando di garantire delle condizioni di vita e di lavoro sul territorio stesso, e ridare vita ad un sistema di relazioni virtuose con le città, controvertendo l’idea di luogo di consumo monodirezionale (estrattivo, ambientale, paesaggistico, turistico, ecc.) praticato nei decenni scorsi.
Se in alcune aree geografiche già da molti anni il modello di un’economia locale produttiva può considerarsi consolidato (si pensi al Vorarlberg, ai Grigioni o in Sudtirolo), in altri luoghi alpini questo approccio sembra oggi ritagliarsi timidamente uno spazio importante, soprattutto nel panorama di quelle valli che hanno per contro vissuto decenni di abbandono e spopolamento (si pensi ad alcune aree delle alpi occidentali e centrali italiane, piemontesi, lombarde e venete).
Due sembrano essere gli elementi caratterizzanti di questa tendenza. Da un lato un approccio, per usare un termine in voga, “non estrattivo” ma invece basato sul rafforzamento delle filiere locali: allevamento, agricoltura, viticoltura, produzione casearia, silvicoltura ma anche produzione industriale e artigianale basate sulla trasformazione di prodotti e risorse autoctone.
Dall’altro la riattivazione di reti lunghe, non strutturate secondo uno sfruttamento verticale delle risorse ma basate invece su di una “specializzazione orizzontale” che permetta la nascita di economie ed attività innovative capaci di ritagliarsi uno spazio privilegiato all’interno del mondo globale.
Le architetture contemporanee raccolte in questo numero sembrano rispondere in modo proattivo a queste nuove istanze, concorrendo in prima persona alla definizione di nuovi spazi per il lavoro, interpretando le necessità di nuove funzioni inedite per questo contesto e trasformandole in occasioni di innovazione progettuale e linguistica, come nel caso di stabilimenti artigianali e industriali, centri di ricerca e innovazione, poli di servizi.
O anche solo reinterpretando e attualizzando i modelli consolidati delle economie tipiche del mondo alpino come l’allevamento e l’agricoltura, ma sempre in un’ottica di valore d’uso del territorio e dei manufatti, ben oltre le posizioni estetizzanti e immobilistiche della patrimonializzazione dei decenni scorsi.
Editorial
Today more than ever, the theme of production in the mountain seems to be central in the framework of those territorial policies that define the Alpine territory as an autonomous living space capable of redesigning territorial balances and systems of interdependence with large urban areas, namely valleys and plains.
Historically based on a subsistence economy, between the end of the nineteenth century and the beginning of the twentieth century the mountain area was an industrial and productive space, an actual reservoir of primary resources (minerals, water, wood, etc.) for urbanized companies. If we look closely, this was a brief parenthesis compared with the long duration of the previous economy based on agriculture, silviculture, and livestock breeding activities and the postmodern condition of a scenic territory for the monoculture of tourism. Now that the issue of a new habitability in extra-urban areas is back on the agendas of a growing number of institutional and political actors,this productive dimension of the mountain regains unprecedented significance and centrality.
Going back to thinking of the mountain territory as an inhabited context today means rewriting the relations of socio-economic interdependence with urbanized areas. It also means trying to guarantee living and working conditions in the territory and revive a system of virtuous relations with the cities, thereby challenging the idea of a place for one-way consumption (extractive, environmental, landscape, tourism, etc.) practised in past decades.
While in some geographical areas the model of a productive local economy can be considered consolidated for many years (think of Vorarlberg, the Grisons or South Tyrol), in other ones this approach seems to be timidly gaining space today. This especially occurs in the context of those valleys that have experienced decades of abandonment and depopulation (think of some areas of the western and central Italian Alps, Piedmont, Lombardy and Veneto).
Two elements in particular seem to characterize this trend. On the one hand, a “non-extractive” approach based on the strengthening of local supply chains such as livestock farming, agriculture, viticulture, dairy production, forestry, but also industrial and artisanal production based on the transformation of indigenous products and resources. On the other hand, the reactivation of extended networks based on a “horizontal specialization” instead of a vertical exploitation of resources allows the emergence of innovative economies and activities capable of claiming a privileged space within the global world.
The contemporary architectures in this issue seem to respond proactively to these new demands. They contribute to the definition of new spaces for production, interpreting the needs for new functions for this context and transforming them into opportunities for design and linguistic innovation, as in the case of artisan and industrial establishments, research and innovation centres, and facilities. Also, they reinterpret the consolidated models of the typical Alpine economic practices such as livestock farming and agriculture, paying attention to the use value of the territory and its artefacts, moving well beyond the aesthetisation and stillness of the capitalization of the past decades.
“Slow practicing”: i progetti di Huang Yinwu nella storica città di Shaxi tra inclusione sociale e cultura materiale
“Slow practicing”: i progetti di Huang Yinwu nella storica città di Shaxi tra inclusione sociale e cultura materiale
Abstract
The Shaxi Rehabilitation Project is a comprehensive conservation project in a remote rural area of the Yunnan Province, China. A once important stopover in the mountain area on the ancient Tea and Horse Caravan Trail, Shaxi still has plenty of built heritage. The architect Huang Yinwu, who studied at the Southeast University of Nanjing, the Swiss Federal Institute of Technology Zürich (ETH) and at the Hong Kong University, worked as a leading project architect in Shaxi for more than 17 years, from 2003. The main topics raised by the case study deal with the local characters and topographical identity in the natural environment, the traditional craftsmanship and the intervention of modern constructions, the design, expressed by identifying and enhancing the value of Shaxi’s cultural heritage and the conservation of cultural legacies into the framework of social and economic development. Shaxi has a strong construction tradition, but it is also very fragile. Unlike the urban area, the traditional rural construction type is a system of experience gradually broadened after ongoing trials and mistakes. This is the reason why it is challenging to have new creations and developments; the same goes for new materials and technologies. For architects like Huang Yinwu, it is necessary to transform the empirical system into a theoretical one, and then provide a reliable construction model that is suitable for local conditions and technologies. In another sense, the key is working with and training local artisans so that they may understand new materials and structures and develop their skills.
Legare, incorniciare, sottolineare, amplificare: due progetti per gli spazi pubblici di insediamenti storici trentini
Linking, framing, underlining, amplifying: two projects for the public spaces in historic Trentino settlements
Abstract
The small villages in rural areas of Trentino often share similar settlement principles (of Latin-Romansh origin) and destinies.
Their dense cores suffer from a phenomenon of consistent abandonment that causes the aweakening of the social structure and an increasing obsolescence of the buildings. The two projects of Castelfondo (Municipality of Borgo d’Anaunia) and Bolciana (Municipality of Tre Ville) are to be considered in this general context, in two small villages that felt the need to regenerate the public space to provide new places for social gathering and new facilities to the community. In Castelfondo, the abandonment of a building is the starting point of the project: instead of a decaying building, three small public spaces offer a new gathering place for the community. In Bolciana, the need to have spaces that would improve the quality of the existing places led to a project made of small artifacts in four squares. The two projects try to demonstrate that with a careful approach by the municipalities, the needs and problems of locations that are far from large tourist flows and main infrastructures can become fertile opportunities to reinvent spaces and meet emerging needs.
Il patrimonio e i suoi avatar. Note su due opere recenti nel Cantone Ticino
Heritage and its avatars.
Notes on two recent works in the Canton of Ticino
Abstract
The text analyses two houses, namely, Cà da Paes in Aurigeno, by Buzzi studio di architettura and Casa Ferretti in Bedretto by Baserga Mozzetti architetti. Although they present different formal outcomes, what they have in common is the contrast between the appearance and reality of the construction system. This reality is finally revealed by the clues prepared by the architects, with an approach that is not intended to dissimulate but rather to slow down the perception of the work, or rather of its constructive character, which is grasped only on closer examination. A reconstruction of the genesis of the two buildings enables us to clarify this observation, showing that they are the result of an attempt to reconcile not only regulatory and budgetary constraints, but also the different conceptions of heritage cultivated by the clients, architects and the municipal and cantonal control commissions. Each of these is reflected in a different image of “heritage”, the result of their different beliefs and convictions. The works discussed here seek to deal with this plurality of interpretations (and the divergent impulses arising from them), by embodying them as a theme of the design, which they interpret by treading with delicate poise (on the verge of ambiguity) the fine line between dissimulation and exhibition: an original path, in the recent architecture of the Canton Ticino, but not without its pitfalls.
The legacy of building in the mountain. A report from the Grisons
Abstract
In the Alps, the cultural landscape changes with the way people live and act. Social structures and economic conditions shape human needs and define the appearance of the territory and landscape, contributing to the development of specific settlement and housing models, in close relationship with the place.
The local typology and construction technologies, developed throughout the history, thus embody the responses to the particular local housing needs, characterizing the places according to different cultural influences.
These conditions, together with the influences of the environmental and natural context, as well as the cultural aspects linked to the traditions of the local communities, today are still distinctive elements of the characterization of the villages and mountain valleys.
The essay, starting from design experiences conducted personally by the architects in their region of origin – the Grisons – explores the many suggestions that the “legacy” of the different ways of building in the mountains offered for their design work. From space planning to materials, from construction solutions to typology, the architectural projects of Capaul & Blumenthal, both in the case of the recovery of the existing heritage and in the case of new buildings, seem to move from a clever re-interpretation of the complex heritage that combines savoir faire, knowledge, inspirations and materials, to seek careful answers to the current problems of the Alpine world.
Wie entwirft man “mit Geschichte“? Über Gion A. Caminada oder wie Architekten historische (Vor-)Bilder rekonzeptualisieren
How do you design “with history”? Gion A. Caminada and the architectural reconceptualization of historical models
Abstract
Gion Caminada has left tangible traces of the dialogue with the building tradition of his region, the Grisons. On closer inspection, however, he does not design by following history: he does not take up or add, but reconceptualizes knowledge in new spatial experiences, interpreting what already exists and sometimes combining it with “finds” from other historical sources.
The awareness that nothing interesting can arise from copies faithful to the original leads to the belief that designing “with history” implies a transformation.
Gion Caminada is an architect who interprets the construction traditions of his place very serenely, designing on them and at the same time updating their meanings. Think of the revival of the Strickbau, one of the oldest methods of building with timber in Grisons, which has been reinterpreted in a freer way to create smoother transitions between rooms inside the buildings and generate a refined interaction between open and closed spaces or even create unprecedented relationships between the inside and the outside.
At the same time, the study of his projects reveals other historical references in the field of international art and architecture of the past, an aspect that is clear for example in its similarity to concrete art, neoplasticism, and constructivism, through a strong interest in the creation of plastic and sculptural spaces.
Therefore, designing “with history” does not imply a repetition of what history itself, a place, a memory, or an image “present” to the architect, but a comparison and a further thought.
Désinences vernaculaires : architecture alpine en Valais
Vernacular declinations: Alpine architecture in Valais
Abstract
Since the term ‘vernacular’ has been used to frame an ‘architectural gender’, not a constructed heritage, particularly that of the rural economy in the mountains, reality has been dispossessed, and all the natural elements are, in fact, the result of a natural restoration. This was the case in Valais under the architectural governance of Edmond Giroud and Maurice Zermatten during the Trente Glorieuses. Their belief in a narrow regionalism aspiring to an identity, which they defined as a ‘neo-Valaisan’ style, wiped out modernist aspirations. In order to fight against an outdated censorship, architects react by exalting the modernist cause, which sometimes makes them forget that any new form can also be the result of a critique of the forms established by tradition, or the result of an order that is specific to the architectural project. Alongside the multiple conclusions of the ‘vernacular gender’ – the latter understood narrowly as tradition – a more daring project can be measured across the whole of the Valais and Alpine territory. From the simple dwelling house to the imposing dam, the scale adopted is a territorial measure, an order of thought that internalises a necessity, engaging the author in a work that is less autobiographical and more empirical. On the one hand, there are the virtuosos of the vernacular and, on the other, those who propose a territorial project, such as Jean-Paul Darbellay.
La casa di Giandomenico Belotti a Fogajard
The Giandomenico Belotti’s house in Fogajard
Abstract
This essay presents the Saccomani family house, designed in the 1960s by Giandomenico Belotti in Fogajard, a cluster of isolated farmsteads near Madonna di Campiglio where, to this day, one may still breathe the farming life atmosphere of the times gone by. The clients developed a particular affection for the place and chose it for their free time. A bond is created and lives through a project that interprets the theme of the refuge in a modern way. Built at the margins of the meadows, at the limit of the woodland, the architecture abstracts the elements of tradition and translates them with today’s language, with no winking or analogies. The dry appearance of the exteriors, made of reinforced concrete walls, timber infills and a cantilevering horizontal roof, is matched by warm and welcoming interiors made of wooden and textile elements. It is through the architect’s coherent approach and his friendship with a passionate client that this work finds its particular shape, giving life to an authentic and honest experience of Alpine dwelling.
Gli «effetti» della tradizione. Trasmutazioni dell’architettura storica nell’opera di Carlo Mollino
Gli «effetti» della tradizione. Trasmutazioni dell’architettura storica nell’opera di Carlo Mollino
Abstract
As Daniele Vitale wrote, the elements of historical Alpine tradition seem to be, for Mollino, “pretexts” for an exploration and formal manipulation that seeks its ways and directions.
Rural architecture is therefore seen not as the bearer of an “objective rationality”, but as a set of materials that, thanks to the design interpretation, determines unprecedented fields of value. The process that characterizes many of his mountain works rarely follows the linear logic of problem solving but is characterized by a deviation that creates a new value space, a gap that distances it from the outcome considered as a consequential act.
Let us think of the device of recovery and distortion of archetypes and conventional configurations of the historical tradition, which become a pretext for reinterpretations that generate new tectonic and formal meanings. Let us consider also their disassembly and reassembly to understand their constructive relationships, static configurations, tectonic logics, which were reused in the creation of his design devices; or the metamorphic and metasemic transmutations of some constructive figures exasperated to the point that, from being part of a whole, they are amplified and hyperbolized until they coincide with the overall architectural configuration. The essay, by retracing some of Carlo Mollino’s numerous projects developed in the Alpine area and some of his main built works, tries to identify some of the conceptual devices employed in his mountain construction site.
Verso una Nuova Oggettività del paesaggio. Strumenti e metodi di Edoardo Gellner
Towards a New Objectivity of the landscape. Edoardo Gellner’s tools and methods
Abstract
Edoardo Gellner never concealed the fact that he was a self-taught architect, although the references to the pragmatism of the Deutscher Werkbund and the theoretical teachings of the first Bauhaus are evident in his works. Drawing and photography are the tools through which Gellner educates his eye to look at the reality of things objectively and analytically. His method of analysis is based on a careful understanding of the territory and its matrices: from the comparison between military cartography and cadastral maps, Gellner draws a whole series of considerations on the historical, morphological, and social reasons that led to the development of such landscapes, and the study of centurial grids offers Gellner a counterproof to his theories. Thus, understanding the motivations of architecture but above all the origins of a landscape become the themes that Gellner deepens in an extensive series of studies for publications that were never completed that make these menabò real synthetic “or even artistic” visions of the landscape, as a tribute to the most perfect purovisibilist theory.
Observer la transformation du monde. Un architecte moderne en alpage
Observing the transformation of the world. A modern architect in the Alpine pastures
Abstract
The 20th century marked the beginning of the massive transformation of mountain lifestyles. The architects took this opportunity to extend their experimental territories to the Alps. The French architect Albert Laprade had a very different approach. Having arrived in Haute-Savoie in the mid-1920s to spend his holidays, he gradually bought the Charousse mountain pasture in the village of Les Houches (Haute-Savoie, France). He transformed it into a family resort by including some cottages of modern comfort, focusing on preserving the landscape structures of the place. This article reviews this particular approach in the journey of an architect who, moreover, builds in a “modern” style. By questioning the tools he mobilizes from his pasture, we will see how Albert Laprade implements an active observation of the territory. From photography to the collection of objects, it brings together the traces of changing traditional lifestyles. But without turning into the past, he works to promote on the national architectural scene the achievements that are fully anchored in the present life, the architects who build the “climate stations” in the mountains. Then, the Alps become a timeless setting, an observation post from which the architect seems to be able to withdraw to evaluate the modern world.
Le ricerche novecentesche sulla casa rurale alpina tra questione epistemologica e narrazioni legittimanti
Twentieth-century research on the Alpine rural house between the epistemological issue and legitimizing narratives
Abstract
Throughout the twentieth century, the gazes of observers from different disciplinary fields, ethnologists, geographers, architects have focused on the Alpine rural house. What do scholars seek within the theme of the house and the rural area?
In Switzerland, the pioneering nineteenth-century studies were followed by research, starting from the 1870s, by the philologist Jakob Hunziker. In his analysis, he took into consideration not only exceptional constructions but also widespread building production. Buildings were detected and illustrated through diagrammatic “primarily planimetric” and photographic representations. However, the original data in Hunziker’s work is found above all in the correlation that is established between language and architecture.
In this context, rural architecture is no longer a simple determinist adhesion to the natural and environmental context in which one lives but becomes a historically determined affirmation of a verified and mediated cultural model concerning the local datum.
Alongside the readings of geographers and ethnologists, there is the chapter of the studies on the rural house conducted by architectural culture. The theme of rural architecture will represent a subject of dispute with often ideological overtones between proponents of modernity and those of traditionalism.
Towards the mid-thirties, Pagano’s semantic translation represents the definitive shift, at least by the architects of the modernist front, from a mere question of a more complex theme, capable of considering the multiple aspects of building in the countryside, culminating in the exhibition Architettura rurale Italiana by Pagano and Daniel. The use of the category of functionalism when dealing with the farmer house allows to recognize rural architecture as a discipline and simultaneously allows it to function as a cultural background and a historical validation for rationalism.
Il patrimonio alpino nelle pubblicazioni svizzere
Alpine heritage in Swiss publications
Abstract
Switzerland boasts a wide production of publications dedicated to its architectural heritage that offer an articulated overview of Swiss architecture from the so-called bourgeois to the rural one. Starting from the monumental study by the philologist Jakob Hunziker (1827-1901) on the Swiss house in its landscape and historical development, two series of books have been written, namely Die Bauernhäuser der Schweiz and Das Bürgerhaus in der Schweiz. The peculiarity of these two series is their method and completeness, the result, among other things, of a careful cultural policy capable of finding and organizing the necessary means. In this context, there are some publications with substantially different approaches to those mentioned above. The fundamental difference lies in the fact that the analyses and descriptions are not limited to the single artefacts but investigate their ways of aggregation, relating the building typology with urban morphology. This is one of the characteristics of La costruzione del territorio nel Canton Ticino by Aldo Rossi, Eraldo Consolascio, and Max Bosshard, published in 1979 by the Fondazione Ticino Nostro. In this publication, there is no solution of continuity between the vernacular buildings and the more “noble” ones, often rather ancient and the result of an extraordinary ability to include and combine elements. The example of La costruzione del territorio was followed by other publications that share its same methods and objectives. Among these, two volumes dated 1983 should be noted; they are dedicated to the villages of Avers and Soglio respectively and both were created by the Department of Architecture of the Technical School of Muttenz. In these publications, renouncing the separation between vernacular buildings and bourgeois houses leads to a more accurate reading of the real size of the settlements, as opposed to the idyllic image of the mountain village consisting exclusively of rural artefacts.
L’invenzione della casa svizzera: ingegneri, etnografi e artisti alla scoperta della costruzione vernacolare alpina
The invention of the Swiss house: engineers, ethnographers and artists to the discovery of the Alpine vernacular construction
Abstract
At the Universal Exhibition in Paris in 1900, Switzerland presented itself to the world by exhibiting an imaginary synthetic village, making the conflicting features of the various Cantons – which for a few decades gathered under the flag of the Confederation – the founding elements of its national identity. These features were based on the cultural core of the “idem Alpine feeling” defined by the primitive cantons of Alemannic language, Catholic religion, and mountain economy.
Not being able to express an authentic image by drawing on the nation’s historicized heritage, the focus is on popular architecture. The Alpine House has built and nurtured a resilient narrated “myth” which, in its architectural form of “chalet” typical of the Bernese Oberland, has helped feed a generalist image of considerable pro-motional and commercial success for Switzerland and its industry.
In the twentieth century, during the industrial growth of the nation, campaigns of survey and inventory of the rural and bourgeois “heritage” tried to scientifically systematize the heterogeneous disciplinary approaches that had undertaken the interpretation of the Alpine house in the previous century. Social, economic, and cultural functions are the raison d’être of the vernacular construction and are expressed in the lexicon of typological, constructive, and decorative elements.
The specific linguistic and cultural affiliations translate not only into different materials, techniques, and forms of construction but also into different settlement models in the territory. An unwavering mythology has been built and, paradoxically, the national identity has been modelled on the assumption that Germans are “assemblers” of logs, and Latins are “builders” who use stone.
Il Corpus vivente. Nuovi divenire progettuali dell’architettura alpina storica
The living Corpus. New design developments of historical Alpine architecture
Abstract
The Corpus of historical architecture – built by traditional societies in the Alps be-tween the great settlement phase of the twelfth-thirteenth century and the break caused by twentieth-century modernization – represents one of the main references when addressing the topic of building in the mountains.
It is recognized as having authority. It is to it that we appeal – from the nineteenth-century Swiss-German treatises, through Adolf Loos and Giuseppe Pagano, to contemporary designers – to legitimize theories or to support collective images on building in the mountains.
The Corpus of historical Alpine architecture, however, consists not only of the materiality of the buildings and infrastructures, but above all of the dense layering of exegesis and interpretations. The essay highlights how in recent years, however, it seems to be set in motion again through actions of a different nature: on the one hand, the weakening of a patrimonial paradigm that only placed the recognition of historical values and the conservation-enhancement of heritage at the center; on the other hand, the emergence of an unprecedented issue related to the construction of a new habitability in the Alps through projects for the revitalization and re-generation of territories based on the need for spaces that provide social interaction to the community, welfare, and culture production.
This creates a new demand for the construction of “use values” that goes beyond the historical and symbolic values of heritage; thus, an unprecedented way of looking and thinking about things is required to prefigure a new civilization of the mountain in which legacies return to being a living body.”
Editoriale – Il corpo vivente. Interpretazioni progettuali dell’architettura alpina storica
Il corpus dell’architettura tradizionale storica che ha plasmato il territorio alpino prima della “rottura” novecentesca – approfondito nel saggio introduttivo– è stato in epoca moderna e contemporanea una sorta di passaggio obbligato per tutti coloro che, progettisti e studiosi, si sono occupati in modi differenti di architettura e paesaggio delle Alpi. Trattare gli aspetti legati alla “tradizione” significa inevitabilmente inoltrarsi in un terreno estremamente scivoloso ed ambiguo.
Come di fatto non esista un’architettura alpina intesa come «secrezione naturale del paesaggio e delle genti e nemmeno del contesto montano» (Reichlin,1995), così non si può parlare infatti di una tradizione alpina univoca ed assoluta dalla quale discendono in modo spontaneo le modalità insediative, architettoniche e tecnologiche sviluppate nei secoli passati. Le tradizioni (al plurale) che sono oggetto di questa trattazione sono dunque considerate tali in quanto approcci consolidati di sviluppare soluzioni costruttive ed insediative a partire dalla traduzione sul piano fisico delle condizioni geografiche, sociali, culturali ed economiche di un dato territorio, secondo un processo mai lineare di circolazione di modelli, riferimenti e linguaggi. Allo stesso modo possiamo dire che – dagli approcci più conservatori che si attengono ad un “obbedire alle cose” fino alle trasmutazioni più radicali – l’uso delle tante tradizioni del mondo alpino da parte degli architetti contemporanei non è astratta ed anacronistica riproposizione di tecniche e modelli. Esso è piuttosto ipotesi programmatica, tecnica progettuale, atto compositivo o concettuale, e muove sempre da una reinterpretazione critica della realtà. Non a caso, la questione di una ri-attualizzazione (o reinterpretazione) dei modi e delle tecniche della tradizione è stata uno dei nodi concettuali e tematici più ricchi di spunti e riflessioni nella definizione di un modus operandi progettuale per i moderni sulle Alpi. Ciò continua ad essere un tema attuale anche nella cultura contemporanea nella misura in cui si consideri la rilettura della produzione spontanea alpina materia progettuale attiva e non solo sterile riproposizione di stilemi come avvenuto negli anni del “rustico internazionale”. Superata anche un’interpretazione di carattere funzionalista, che vede l’architettura tradizionale come portatrice di “razionalità oggettiva” – si pensi a Pagano e agli altri studi dei moderni sulla casa ed il mondo rurale – oggi la reinterpretazione del patrimonio apre a nuovi significati e nuovi percorsi fertili di ricerca progettuale. I saggi e i progetti pubblicati in questo numero mostrano come la cultura architettonica di oggi possa attingere a quell’enorme bacino semantico, di approcci, di linguaggi, di figurazioni, di tecniche, per estrapolarne riferimenti insediativi, tettonici, distributivi, tecnologici, utili allo sviluppo del progetto contemporaneo. Se nell’immaginario collettivo, alla storia e alle tradizioni locali – complice anche la cultura patrimonializzante che ha permeato i dibattiti negli ultimi decenni – si associa l’idea di una presunta immobilità e atemporalità, le recenti esperienze di progetto sembrano invece mettere in luce modalità che mostrano nuove flessibilità evolutive, facendole tornare materia vivente.
Editorial
The corpus of traditional architecture that had shaped the Alpine territory before the 20th-century “rupture” – which is looked further into in the introductory essay – in the modern and contemporary ages has been a basis for designers and scholars who have dealt with different modes of interpreting architecture and the landscape in the Alps. Dealing with aspects linked to “tradition” means stepping into an extremely slippery and ambiguous terrain. Just as there is no Alpine architecture in the sense of a «natural secretion of the landscape and people or even of the mountain context» (Reichlin, 1995), we cannot speak of an absolute Alpine tradition that produced the settlement, architectural and technological methods developed in past centuries. The traditions (in the plural form) discussed here are considered as such because they are consolidated approaches of constructive and settlement solutions. These approaches develop from the physical translation of geographical, social, cultural, and economic conditions of a territory, according to a non-linear circulation of models, references, and languages. In the same way, we can state that – from the more conservative approaches that “obey things” to the most radical transmutations – the use of “tradition” by contemporary architects in the Alps does not lead to an abstract and anachronistic re-proposition of techniques and models. On the contrary, it is a programmatic hypothesis, a design technique, a compositional or conceptual act, and it always arises from a critical re-interpretation of reality. Not surprisingly, the issue of re-actualizing (or re-interpreting) ways and techniques of tradition was one of the key concepts giving rise to countless ideas and considerations when defining a design modus operandi for Moderns in the Alps. This continues to be a relevant theme in contemporary culture, if one considers the re-interpretation of spontaneous Alpine production as an active design material and not only as a sterile re-proposal of stylistic elements as occurred in the years of the “international rustic”. Having overcome a functionalist interpretation that sees traditional architecture as a symbol of “objective rationality” – think of Pagano and other modern studies on the house and the rural world – nowadays the re-interpretation of heritage opens to new meanings and new fertile research and design paths. The essays and projects published in this issue show how today’s architectural culture may be inspired by the enormous array of approaches, languages, figurations, techniques that extrapolate references useful to contemporary projects. If in the collective image history and local traditions – also thanks to a heritage culture that has dominated the debates in the last decades – are associated with an idea of presumed immobility and timelessness, recent project experiences show new flexibility of evolution, making them return to being a living matter.
Lentius, profundius, suavius, tre coordinate dell’abitare contemporaneo
Lentius, profundius, suavius, three coordinates of contemporary living
Abstract
The aphorism lentius, profundius, suavius of Alexander Langer overturns the most famous citius, altius, fortius. It is both a program and a vision to face the most urgent challenges of our time.
Outdoor is the priority action context to design possible ways of reconciliation with the environment, the only way to rediscover the balanced integration with nature that Adriano Olivetti indicated as an antidote to the harmfulness of the urban environment.
Nature plays a decisive role in our society. According to the German philosopher Gernot Böhme, this general reference to nature on the one hand is indicative of a desire to compensate for a lifestyle that is increasingly distant from its rhythms and its essence, on the other it represents a profound and radical removal.
The pandemic has definitively undermined some of the dominant paradigms, leading to the establishment of a new phenomenology of nature based on perception. The health issue has quickly, and perhaps irreversibly, changed our lifestyles and our relationships with nature.
In high-altitude contexts, the archetypes of architecture become the concepts through which architecture redefines its dialogue with the landscape by innovating its grammar and semantic relationships. A complex dialogue that triggers new genealogies and belonging in which design solutions become an opportunity for experimenting and innovating processes, forms and technologies.
The following projects address these issues with respect to two founding themes of architecture: the refuge and the threshold.
Abitare, abitazione
To dwell, dwelling
Abstract
The verb “to dwell” has seen its meaning gradually expanded beyond the field of housing to cover wider ranges. In its various extensions, the debate on housing today has been mainly developed within the urban environment, while in the mountain (and alpine) context there seems to be a greater interest in matters of expressive language. The echoes of the close coherence between building, living and housing that characterised the Alps of the past are now far away. This contribution investigates how, in light of a point of view on dwelling between housing and territory, architecture can help to develop a project for the home that represents the new vitality that is affecting the Alps and its society. Ethics of the job, meaning of building, response to social questions, relational value of the architectural form and of the “in-between” space are some themes that are introduced as possible tools for a practice on the subject.
Dedans et contre le patrimoine
Within and against heritage
Abstract
There are the Alps, the Alpine space, and there is heritage or heritages, depending on the meaning of the term and on the position adopted with regard to the questions raised by this notion. Heritage is not only something that exists and to which we are attached, but it should also be possible to produce it. It is this production that is addressed in these brief reflections on architectural works that attempt to combine heritage and “montagnité”.
As soon as the mountain is built upon, the problem of form and, therefore, of its shaping arises. It is the latter that requires production, i.e. a way of thinking that is capable of thematising both the mountain and the heritage. But what are we talking about when we apply the heritage label to Alpine architecture? Is this what is commonly defined as edilizia rurale (rural housing)? Or is it the architectural work that interprets the edilizia rurale and, in a way, absorbs it?
Assuming that the heritage regime in the mountains is part of the variation and not the fixity of a notion such as that of the monument, and that the notion of heritage informs and conforms every architectural project in the mountains, it is possible to put forward a second hypothesis and to affirm that both the edilizia rurale and the architectural projects that transform it, operating within and against it, are heritage. For the latter, however, the rules that Adolf Loos wrote for those who build in the mountains remain valid.
Architetture per la cultura. Ridefinire la montagna contemporanea
Architecture for culture. Re-defining the contemporary mountain
Abstract
Alpine architecture for culture seems to best represent the evolution over time of the very concept of alpine architecture.
By their actual nature, these buildings are configured not only as meeting spaces for the inhabitants but also – and above all – as means of attraction for visitors from the cities, towards which these objects seem to assume the role of real business cards. Thanks to the diffusion of virtuous reference models of contemporary architecture from all over the Alps, operated starting from 1992 by the Neues Bauen in den Alpen / Alpine Contemporary Architecture award, in recent decades Alpine architecture has begun to become an increasingly debated topic. Alpine architecture for culture, therefore, seems to play a particularly significant role in the construction of a new image on the contemporary Alps, and the buildings dedicated to its diffusion seem to succeed especially when they abandon the tourist imaginaries on the traditional and the typical Alpine, often distorted and stereotyped, to embrace a vision that undertakes a reinterpretation of local historical elements in the current context. Proposing cultural alpine buildings which look towards contemporaneity can therefore represent a great contribution in the diffusion of the mountain as a container of current events, as well as heritage and tradition.
For these reasons, cultural architectures located in the mountains should also look to the present in their forms.
Within this issue, are presented three architectures located in France, and three Italian projects, which are located in Priero, in Piedmont, and Estoul and Bard in the Aosta Valley.